What would you like to read?Search books, authors, genres, shelves, users...
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What would you like to read?Search books, authors, genres, shelves, users...
Search books, authors, genres, shelves, users...Search books, authors, genres, shelves, users...
1888
Translated by J. M. (John McFarland) Kennedy
A philosophical treatise written during the late 19th century. In this work, Nietzsche examines the contributions and implications of Richard Wagner's music and ideology, critiquing its effect on culture and art while reflecting on his own complex relationship with Wagner as both an admirer and a critic. The text delves into themes of decadence, artistry, and the role of music in modern society, providing a compelling analysis for those interested in Nietzsche’s philosophy and cultural criticism. The opening of ''The Case of Wagner'' sets the stage for Nietzsche's rigorous examination of Wagner's influence on music and society. He expresses a profound personal transformation from a staunch Wagner supporter to a critical observer, emphasizing his struggles against the ''decadence'' represented by Wagner's art. Nietzsche articulates a duality in Wagner's music, recognizing it as both captivating yet morally detrimental, depicting Wagner as an emblem of sensual engagement with art that ultimately promotes decline in cultural standards. Through a series of personal reflections and aesthetic critiques, Nietzsche presents an impassioned argument that challenges readers to reconsider the values embodied in modern artistic expression.
