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Remedia Amoris; Or, The Remedy of Loveliterally Translated into English Prose, with Copious Notes

Ovid

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Remedia Amoris; Or, The Remedy of Loveliterally Translated into English Prose, with Copious Notes

Ovid

Classics of Literature, Poetry

Translated by Henry T. (Henry Thomas) Riley

What if you could cure yourself of love? Ovid posed this question two millennia ago, and the result is one of antiquity's most surprisingly modern texts. Written as a sardonic sequel to his infamous 'Art of Love,' 'Remedia Amoris' offers ancient readers a satirical handbook for falling out of love: how to distance yourself, find new occupations, mock your former flame, and simply wait for passion to fade. But beneath the wit lies something genuinely useful: Ovid understood that love is a kind of temporary madness, and like all madness, it can be weathered. He peppers his practical advice with mythological examples, showing how gods and mortals alike have suffered from desire and survived. The poem's dark humor and counterintuitive strategies (discovering your lover's flaws, envying others their peace) make it feel less like a dry philosophical treatise and more like a clever friend giving you brutally honest counsel at 2am. It endures because heartbreak never changes, only the language around it. For anyone who has ever needed to stop loving someone and wondered how on earth to begin.

Project Gutenberg

A poetic treatise written in the late 1st century BC. This work can be categorized as a didactic poem and serves as a se...

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Remedia Amoris; Or, The Remedy of Loveliterally Translated into English Prose, with Copious Notes
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“All right, boy, skewer me. I've dropped my defenses, I'm an easy victim. Why, by nowYour arrows practically know their own way to the target And feel less at home in their quiver than in me.””

— Ovid

“Brass shines with constant usage, a beautiful dress needs wearing,Leave a house empty, it rots.””

— Ovid

“I got nervous at bulls and eagles,Trying to figure what shape Zeus might take for sexWhen it could be turn next. But now I don't care any longer,I've come to my senses, your profile leaves me cold.Why am I different? you ask. I'll tell you. . That's what turns me off.””

— Ovid

“Love is a child and naked; he has years that know no meanness, and he has no clothes, so that he is open in his ways.””

— Ovid

“Arrive before your Husband. Not that I canSee quite what good arriving first will do;But still arrive before him. When he's takenHis place upon the couch and you go tooTo sit beside him, on your best behaviorStealthily touch my foot, and look at me,Watching my nods, my eyes, my face's language;Catch and return my signals secretly.I'll send a wordless message with my eyebrows;You'll read my fingers' words, words traced in wine.When you recall our games of love together,Your finger on rosy cheeks must trace a line.If in your silent thoughts you wish to chide me,Let your hand hold the lobe of your soft ear;When, darling, what I do or say gives pleasure,Keep turning to an fro the ring you wear.When you wish well-earned curses on your husband,Lay your hand on the table, as in prayer.If he pours you wine, watch out, tell him to drink it;Ask for what you want from the waiter there.I shall take next the glass you hand the waiterAnd I'll drink from the place you took your sips;If he should offer anything he's tasted,Refuse whatever food has touch his lips.Don't let him plant his arms upon your shoulders,Don't let him rest your gentle head on his hard chest,Don't let your dress, your breasts, admit his fingers,And--most of all--no kisses to be pressed!You kiss--and I'll reveal myself your lover;I'll say 'they're mine'; my legal claim I'll stake.All this, of course I'll see, But what's well hiddenunder your dress--blind terror makes me quake.””

— Ovid

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