Aaron Hill was an English poet, playwright, and literary figure of the early 18th century, known for his contributions to the development of English drama and poetry. Born in 1685, Hill emerged as a prominent figure in the literary circles of his time, engaging with notable contemporaries such as Alexander Pope and John Gay. His works often reflected the complexities of human emotion and the intricacies of social relationships, showcasing his ability to blend sentiment with wit. Among his notable works are the tragedy 'Zara' and the poem 'The Creation,' which exemplified his skill in both dramatic and lyrical forms. Hill's literary significance lies not only in his own writings but also in his role as a promoter of theatrical works and a supporter of other writers. He was instrumental in the establishment of the first subscription library in England, which contributed to the accessibility of literature in the 18th century. His advocacy for the arts and his innovative approach to drama helped pave the way for future generations of playwrights. Despite facing criticism and challenges throughout his career, Hill's legacy endures as a testament to the vibrant literary culture of his time, influencing the evolution of English literature and drama in the years that followed.
“Time travel was troubling. I did not understand it completely: I only knew that it was possible because I did it all the time without thought, although it could lead to complications. My revered ancestor, after whom Rael’s hill had been named, had spent a long and interesting life travelling backwards and forwards through time, eventually concluding that the human brain could not deal with this process except to start at the beginning, awaiting what followed – the normal way of things.””
“We were back where I had started: on the hill top inside a circle of trees burdened down with red berries that blew in the wind as if determined to remind me how much blood a body had in it and how the worst place to see it was flying through the air in droplets.””
“Jane Curtin was probably the most direct of the three about going in and talking to Lorne, calmly and rationally, about the parts or lack of parts she was getting on the show, although she sometimes confronted Lorne in anger. One friend described her as a smooth lake that occasionally roiled but quickly settled back down again. She was a member of a group within the show”
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