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Kaksi Nuorta Veronalaista

1589

William Shakespeare

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Kaksi Nuorta Veronalaista

William Shakespeare

1589

British Literature, Plays/Films/Dramas, Romance

Translated by Paavo Emil Cajander

A play likely written in the late 16th to early 17th century. This comedic drama unfolds the romantic entanglements and friendships of two noble young men, Valentine and Proteus, who find themselves in amusing and complicated situations involving love and loyalty, particularly concerning their affections for the beautiful Silvia and Julia, respectively. The opening of the play introduces Valentine and Proteus in a lively conversation on a marketplace in Verona, where Valentine is about to embark on a journey to Milan. Their dialogue reveals the themes of love and friendship as they discuss Proteus's infatuation with Julia and Valentinos's anticipation of new experiences. The scene sets up the central conflicts of unrequited love and the tensions between personal desires and social expectations. Additionally, we meet various characters and the contrasting perspectives on romance, paving the way for the unfolding drama and humor inherent in Shakespeare's writing.

Project Gutenberg

A play likely written in the late 16th to early 17th century. This comedic drama unfolds the romantic entanglements and...

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“They do not love that do not show their love.””

— William Shakespeare

“Banish'd from [those we love] Is self from self: a deadly banishment!””

— William Shakespeare

“That man that hath a tongue, I say is no man, if with his tongue he cannot win a woman.””

— William Shakespeare

“To die, is to be banish'd from myself; And Silvia is myself: banish'd from her, Is self from self: a deadly banishment! What light is light, if Silvia be not seen? What joy is joy, if Silvia be not by? Unless it be to think that she is by, And feed upon the shadow of perfection.Except I be by Silvia in the night, There is no music in the nightingale; Unless I look on Silvia in the day, There is no day for me to look upon; She is my essence, and I leave to be, If I be not by her fair influence Foster'd, illumin'd, cherish'd, kept alive.””

— William Shakespeare

“She dreams of him that has forgot her love;You dote on her that cares not for your love.'Tis pity love should be so contrary;And thinking of it makes me cry 'alas!””

— William Shakespeare

“O, how this spring of love resemblethThe uncertain glory of an April day,Which now shows all the beauty of the sun,And by and by a cloud takes all away!””

— William Shakespeare

“At first I did adore a twinkling star But now I worship a celestial sun””

— William Shakespeare

“You, minion, are too saucy.””

— William Shakespeare

“Nay, 'twill be this hour ere I have done weeping. All the kind of the Launces have this very fault. I have received my proportion, like the prodigious son, and am going with Sir Proteus to the Imperial's court. I think Crab, my dog, be the sourest-natured dog that lives. My mother weeping, my father wailing, my sister crying, our maid howling, our cat wringing her hands, and all our house in a great perplexity, yet did not this cruel-hearted cur shed one tear. He is a stone, a very pebble stone, and has no more pity in him than a dog. A Jew would have wept to have seen our parting. Why, my grandam, having no eyes, look you, wept herself blind at my parting. Nay, I'll show you the manner of it. This shoe is my father. No, this left shoe is my father. No, no, this left shoe is my mother. Nay, that cannot be so neither. Yes, it is so, it is so -- it hath the worser sole. This shoe with the hole in it is my mother, and this my father. A vengeance on't! There 'tis. Now, sir, this staff is my sister, for, look you, she is as white as a lily and as small as a wand. This hat is Nan, our maid. I am the dog. No, the dog is himself, and I am the dog -- O, the dog is me, and I am myself. Ay, so, so. Now come I to my father: 'Father, your blessing.' Now should not the shoe speak a word for weeping. Now should I kiss my father -- well, he weeps on. Now come I to my mother. O, that she could speak now like a wood woman! Well, I kiss her -- why, there 'tis: here's my mother's breath up and down. Now come I to my sister; mark the moan she makes. Now the dog all this while sheds not a tear nor speaks a word!””

— William Shakespeare

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