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Thomas Hart Benton

Thomas Hart Benton

Thomas Hart Benton was a prominent American politician and a significant figure in the early 19th century. Born in North Carolina and raised in Tennessee, he moved to Missouri, where he became a lawyer and entered politics. Benton served as a U.S. Senator from Missouri for an impressive five terms from 1821 to 1851, earning the nickname 'Old Bullion' for his staunch advocacy of hard money and opposition to the national bank. His political career was marked by his commitment to westward expansion and his support for the common man, which resonated with many constituents during a time of rapid change in America. In addition to his political achievements, Benton was an influential figure in the arts, particularly in promoting American painting and literature. He was a strong supporter of the Hudson River School and encouraged the development of a distinctly American style of art. Benton's legacy is reflected in his efforts to shape the Democratic Party's platform and his role in advocating for the rights of settlers and indigenous peoples during the westward expansion. His impact on American politics and culture remains significant, as he helped lay the groundwork for future generations of leaders and artists alike.

Wikipedia

Thomas Hart Benton (March 14, 1782 – April 10, 1858), nicknamed "Old Bullion", was an American politician, attorney, sol...

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“The individual most responsible for the triumph of the documentary style was probably Roy Stryker of the government’s Farm Security Administration (FSA), who sent a platoon of famous photographers out to record the lives of impoverished farmers and thus “introduce America to Americans.” Stryker was the son of a Kansas Populist, and, according to a recent study of his work, “agrarian populism” was the “first basic assumption” of the distinctive FSA style. Other agencies pursued the same aesthetic goal from different directions. Federal workers transcribed folklore, interviewed surviving ex-slaves, and recorded the music of the common man. Federally employed artists painted murals illustrating local legends and the daily work of ordinary people on the walls of public buildings. Unknowns contributed to this work, and great artists did too”

The People, No: The War on Populism and the Fight for Democracy

“The individual most responsible for the triumph of the documentary style was probably Roy Stryker of the government’s Farm Security Administration (FSA), who sent a platoon of famous photographers out to record the lives of impoverished farmers and thus “introduce America to Americans.” Stryker was the son of a Kansas Populist, and, according to a recent study of his work, “agrarian populism” was the “first basic assumption” of the distinctive FSA style. Other agencies pursued the same aesthetic goal from different directions. Federal workers transcribed folklore, interviewed surviving ex-slaves, and recorded the music of the common man. Federally employed artists painted murals illustrating local legends and the daily work of ordinary people on the walls of public buildings. Unknowns contributed to this work, and great artists did too”

The People, No: The War on Populism and the Fight for Democracy

Books from the author

ThirtyYears' View(vol. 1 of2)or, a...

Thomas Hart Benton

Thirty Years' View (vol. 1 of 2)or, a History of the Working of the American Government for Thirty Years, from 1820 to 1850

ThirtyYears' View(vol. 2 of2)or, a...

Thomas Hart Benton

Thirty Years' View (vol. 2 of 2)or, a History of the Working of the American Government for Thirty Years, from 1820 to 1850

Thomas HartBenton'sRemarks tothe Senat...

Thomas Hart Benton

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