Charles S. Ryan was a British author and surgeon, best known for his vivid accounts of his experiences during the Russo-Turkish War. His notable work, 'Under the Red Crescent: Adventures of an English Surgeon with the Turkish Army at Plevna and Erzeroum 1877-1878,' offers a unique perspective on the conflict, detailing the challenges faced by medical personnel in the midst of battle. Through his narrative, Ryan not only chronicled the harsh realities of war but also highlighted the resilience and bravery of those who served in the medical field. Ryan's writing is characterized by its firsthand observations and a deep understanding of the human condition, making his work significant in the genre of war literature. His experiences as a surgeon provided him with a distinct lens through which to view the events of the war, allowing him to convey the emotional and physical toll on both soldiers and civilians. While not as widely recognized today, Ryan's contributions to military memoirs and his portrayal of the medical profession during wartime remain noteworthy, reflecting a period of intense conflict and the complexities of human experience in the face of adversity.
“Once Ryan asked Kurt, “What are you going to do when you’re thirty?” “I’m not worried about what’s going to happen when I’m thirty,” Kurt replied in the same tone he would use to discuss a broken spark plug, “because I’m never going to make it to thirty. You know what life is like after thirty”
“Morgan’s argument that prehistoric societies practiced group marriage (also known as the primal horde or omnigamy”
“But my point applies to a broader audience. Indulge me in one more thought experiment, a familiar one: You will be stranded on a desert island, and you can take just 10 books and 10 music CDs. What do you choose? My prediction is that even people who don’t listen to classical music regularly will take Bach, Mozart, and Beethoven. Even people who haven’t picked up Shakespeare in years will take the collected works of Shakespeare. When we want something we can go back to again and again, we choose the same giants that the experts choose. My proposition about the literature, music, and visual arts of the last half century is that hardly any of it has enough substance to satisfy, over time. The post-1950 West has unquestionably produced some wonderful entertainments, and I do not mean wonderful slightingly. The Simpsons is wickedly smart, Saving Private Ryan is gripping, Groundhog Day is a brilliant moral fable. The West’s popular culture is for my money the only contemporary culture worth patronizing, with its best stories more compelling and revealing than the ones written by authors who purport to write serious novels, and its best popular music with more energy and charm than anything the academic composers turn out. It is a mixed bag, with the irredeemably vulgar side by side, sometimes intermingled, with the wittiest and most thoughtful work. But the quality is often first-rate”
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