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Pictures from Italy

Charles Dickens

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Pictures from Italy

Charles Dickens

British Literature, Travel Writing

Dickens was never just a novelist. In this sparkling travelogue, he turns his ferocious attention to Italy itself, and the result is something between a magic-lantern show and a masterclass in seeing. Written after a year-long sojourn in 1844, Pictures from Italy refuses to be a guidebook. Instead, it offers something rarer: the disorderly, delightful impressions of a writer who cannot stop noticing things. He leaves the grand monuments to guidebooks and instead gives us postilions with absurd hats, monks arguing in Genoese streets, the particular quality of light on a Roman afternoon. The Italy that emerges is vivid and strange, full of life and poverty, ancient ruins and modern noise. Dickens renders a country in flux, caught between papal grandeur and the rumblings of unification, between tourists and locals, between what visitors expect and what they find. Kate Flint describes it as a "chaotic magic-lantern show," and the phrase fits: images ceaselessly appear and dissolve, each one lit by Dickens's distinctive wit. This is the great novelist as relentless observer, and Italy becomes the perfect mirror for his temperament.

Project Gutenberg

A travel narrative written in the mid-19th century. This engaging work chronicles Dickens's experiences and observations...

Wikipedia

Pictures from Italy is a travelogue by Charles Dickens, written in 1846. The book reveals the concerns of its author as...

Goodreads

A delightful travelogue in the unique style of one of the greatest writers in the English languageIn 1844, Charles Dicke...

3.5(877)

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Pictures from Italy
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Project Gutenberg · 290 pages
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“It is a place that 'grows upon you' every day. There seems to be always something to find out in it. There are the most extraordinary alleys and by-ways to walk about in. You can lose your way (what a comfort that is, when you are idle!) twenty times a day, if you like; and turn up again, under the most unexpected and surprising difficulties. It abounds in the strangest contrasts; things that are picturesque, ugly, mean, magnificent, delightful, and offensive, break upon the view at every turn.””

— Charles Dickens

“And let us not remember Italy the less regardfully, because, in every fragment of her fallen Temples, and every stone of her deserted palaces and prisons, she helps to inculcate the lesson that the wheel of Time is rolling for an end, and that the world is, in all great essentials, better, gentler, more forbearing, and more hopeful, as it rolls!””

— Charles Dickens

“When we have traversed it, and look back from Albano, its dark, undulating surface lies below us like a stagnant lake, or like a broad, dull Lethe flowing round the walls of Rome, and separating it from all the world!  How often have the Legions, in triumphant march, gone glittering across that purple waste, so silent and unpeopled now!  How often has the train of captives looked, with sinking hearts, upon the distant city, and beheld its population pouring out, to hail the return of their conqueror!  What riot, sensuality and murder, have run mad in the vast palaces now heaps of brick and shattered marble!  What glare of fires, and roar of popular tumult, and wail of pestilence and famine, have come sweeping over the wild plain where nothing is now heard but the wind, and where the solitary lizards gambol unmolested in the sun!””

— Charles Dickens

“He was a gentle, earnest man, and said it from his heart; but when I thought how Christian men have dealt with one another; how, perverting our most merciful religion, they have hunted down and tortured, burnt and beheaded, strangled, slaughtered, and oppressed each other; I pictured to myself an agony surpassing any that this Dust had suffered with the breath of life yet lingering in it, and how these great and constant hearts would have been shaken - how they would have quailed and drooped - if a foreknowledge of the deeds that professing Christians would commit in the Great Name for which they died, could have rent them with its own unutterable anguish, on the cruel wheel, and bitter cross, and in the fearful fire.””

— Charles Dickens

“The first dish is a cabbage, boiled with a great quantity of rice in a tureen full of water, and flavoured with cheese.  It is so hot, and we are so cold, that it appears almost jolly.  The second dish is some little bits of pork, fried with pigs’ kidneys.  The third, two red fowls.  The fourth, two little red turkeys.  The fifth, a huge stew of garlic and truffles, and I don’t know what else; and this concludes the entertainment.””

— Charles Dickens

“when Goblin clutches me by the wrist, and lays, not her skinny finger, but the handle of a key, upon her lip.  She invites me, with a jerk, to follow her.  I do so.  She leads me out into a room adjoining - a rugged room, with a funnel-shaped, contracting roof, open at the top, to the bright day.  I ask her what it is.  She folds her arms, leers hideously, and stares.  I ask again.  She glances round, to see that all the little company are there; sits down upon a mound of stones; throws up her arms, and yells out, like a fiend, ‘La Salle de la Question!’ The Chamber of Torture!  And the roof was made of that shape to stifle the victim’s cries!  Oh Goblin, Goblin, let us think of this awhile, in silence.  Peace, Goblin!  Sit with your short arms crossed on your short legs, upon that heap of stones, for only five minutes, and then flame out again.””

— Charles Dickens

“though the pavement-stones, and stones of the walls and houses, were far too hot to have a hand laid on them comfortably.””

— Charles Dickens

“Doors had lost their hinges, and were holding on by their latches; windows were broken, painted plaster had peeled off, and was lying about in clods; fowls and cats had so taken possession of the out-buildings, that I couldn’t help thinking of the fairy tales, and eyeing them with suspicion, as transformed retainers, waiting to be changed back again.  One old Tom in particular: a scraggy brute, with a hungry green eye (a poor relation, in reality, I am inclined to think): came prowling round and round me, as if he half believed, for the moment, that I might be the hero come to marry the lady, and set all to-rights; but discovering his mistake, he suddenly gave a grim snarl, and walked away with such a tremendous tail, that he couldn’t get into the little hole where he lived, but was obliged to wait outside, until his indignation and his tail had gone down together.””

— Charles Dickens

“The view, as I have said, is charming; but in the day you must keep the lattice-blinds close shut, or the sun would drive you mad; and when the sun goes down you must shut up all the windows, or the mosquitoes would tempt you to commit suicide.  So””

— Charles Dickens

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