William Fleming

“He could tell Fleming he was a musician but he could not communicate what the music said to him or said to the people he played it for. The music told itself, it made some obscure connection for which there were no words. The music was its own story, but a man could dip into the vast reservoir of folk and blues lines and phrases and images and construct his own story: though upon performing it and without it losing any relevance to his own life it now belonged to the audience as well. It was something he could not fathom. The old songs with juryrigged verses like bodies cobbled up out of bones from a thousand skeletons. Songs about death and lost love and rambling down the line because sometimes down the line was the only place left. Songs that treated the most desperate of loss with a dark sardonic humour. "I'm going where the climate suits my clothes", the song said, not saying the frustration and despair that created it, saying that in the sheer lonesomeness of the sound, in the old man's driving banjo. There was an eerie timelessness about it that said it could have been written a thousand years ago, or it could have been an unfinished song about events that had not yet played themselves out.””

“If you had to explain why the four major services could never work together,” Fleming said, “it’s because they all speak a different language. For example, if you needed to secure a building, the Navy would turn off the lights and lock the doors. The Air Force would sign a long-term lease or buy it outright. The Army would occupy the building and forbid entry to anyone else. And the Marines would assault the building and defend it to the death with suppressing fire and artillery support.””

“Fleming doubted all this but he listened anyway and thought with a kind of sardonic amusement that before the night was over life itself might grasp him by the scruff of the neck and jerk him out of the doldrums he seemed grounded in and into its swifter currents.””