
Susanne K. Langer was an influential American philosopher and writer, best known for her work in the philosophy of art and the nature of symbols. Born in 1895, she studied at Harvard University, where she became one of the first women to earn a degree in philosophy. Langer's early work focused on the intersection of art and philosophy, leading her to develop a unique perspective on how art functions as a form of symbolic communication. Her seminal book, 'Feeling and Form,' published in 1953, explored the relationship between art and human experience, arguing that art is a vital means of expressing emotions and ideas that cannot be articulated through language alone. Throughout her career, Langer's ideas challenged traditional views of art and aesthetics, positioning her as a key figure in the development of modern philosophical thought. She also wrote extensively on the nature of symbols and their role in human cognition, contributing to the fields of semiotics and aesthetics. Langer's legacy endures through her profound insights into the nature of artistic expression and the human experience, influencing generations of philosophers, artists, and scholars. Her work remains a cornerstone in the study of art theory and continues to inspire discussions about the significance of creativity in human life.
“Most new discoveries are suddenly seen things that were always there.””
“The assignment of meanings [in music] is a shifting, kaleidoscopic play, probably below the threshold of consciousness, certainly outside the pale of discursive thinking. The imagination that responds to music is personal and associative and logical, tinged with affect, tinged with bodily rhythm, tinged with dream, but with a wealth of formulations for its wealth of wordless knowledge, its whole knowledge of emotional and organic experience, of vital impulse, balance, conflict, the of living and dying and feeling.””
“Nature, as man has always known it, he knows no more.Since he has learned to esteem signs above symbols, to suppress his emotional reactions in favor of practical ones and make use of nature instead of holding so much of it sacred, he has altered the face, if not the heart, of reality.””
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