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So it is with blackberries. If you pull too hard, you may get the berry but you will lose the sweetness of it. On the other hand, if you leave it, it may be gone the next time you come by. Each person must find this point of equilibrium for himself.
I learned . . . to read and interpret the country: the ground underfoot, the coming and going of creatures, the arrival and departure of birds, the seasonal flowering and fading of plant life. These things — the physical evidence of them — constitute a language, a grammar , and a syntax; they represent in some way the original perception we may have acquired of a fundamental order in things, in their relationships and significant connections. Ad by this I mean (among other things) story, narrative, the thread of sequence and consequence [John Haines, "The Creative Spirit in Art and Literature", The Norton Book of Nature Writing , Robert Finch, editor].