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Studies in Classic American Literature

D. H. Lawrence

Studies in Classic American Literature

Studies in Classic American Literature

D. H. Lawrence

History

D.H. Lawrence's 1923 essays on American literature remain among the most fiercely intelligent criticism ever written about the American canon. With the eye of an outsider who saw what natives could not, Lawrence dissects the work of Franklin, Hawthorne, Poe, Melville, Whitman, and Mark Twain, hunting for what he calls the "hidden demon" at the heart of the American imagination. His argument is bracing: American literature, he contends, is not merely a regional offshoot of European letters but a vital, troubled tradition unto itself, born from the collision of frontier freedom and Puritan guilt, of democratic idealism and industrial soullessness. Lawrence reads Poe as a master of the "new, strange world of glass and iron" and finds in Melville's Moby-Dick a spiritual grapple with the void. These are not dusty academic exercises but passionate, partisan readings that refuse neutrality. For anyone who loves American literature and wants to understand its strange, haunted soul, this book is essential.

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A critical examination of American literature written in the early 20th century. The work seeks to explore the unique ch...

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Studies in Classic American Literature
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“The essential American soul is hard, isolate, stoic, and a killer. It has never yet melted.””

— D. H. Lawrence

“Men are free when they are obeying some deep, inward voice of religious belief. Obeying from within. Men are free when they belong to a living, organic, believing community, active in fulfilling some unfulfilled, perhaps unrealized purpose. Not when they are escaping to some wild west. The most unfree souls go west, and shout of freedom.””

— D. H. Lawrence

“Democracy in America was never the same as Liberty in Europe. In Europe Liberty was a great life-throb. But in America Democracy was always something anti-life. The greatest democrats, like Abraham Lincoln, had always a sacrificial, self-murdering note in their voices. American Democracy was a form of self-murder, always. Or of murdering somebody else... The love, the democracy, the floundering into lust, is a sort of by-play. The essential American soul is hard, isolate, stoic, and a killer. It has never yet melted.””

— D. H. Lawrence

“Art has two great functions. First, it provides an emotional experience. And then, if we have the courage of our own feelings, it becomes a mine of practical truth. We have had the feelings ad nauseam. But we've never dared dig the actual truth out of them, the truth that concerns us, whether it concerns our grandchildren or not.””

— D. H. Lawrence

“The artist usually sets out -- or used to -- to point a moral and adorn a tale. The tale, however, points the other way, as a rule. Two blankly opposing morals, the artist's and the tale's. Never trust the artist. Trust the tale. The proper functions of a critic is to save the tale from the artist who created it.””

— D. H. Lawrence

“But you have there the myth of the essential white America. All the other stuff, the love, the democracy, the floundering into lust, is a sort of by-play. The essential American soul is hard, isolate, stoic, and a killer. It has never yet melted.””

— D. H. Lawrence

“For my part, life is so many things I don’t care what it is. It’s not my affair to sum it up. Just now it’s a cup of tea. This morning it was wormwood and gall. Hand me the sugar.””

— D. H. Lawrence

“Sometimes snakes can’t slough. They can’t burst their old skin. Then they go sick and die inside the old skin, and nobody ever sees the new pattern. It needs a real desperate recklessness to burst your old skin at last. You simply don’t care what happens to you, if you rip yourself in two, so long as you do get out.””

— D. H. Lawrence

“The only justice is to follow the sincere intuition of the soul, angry or gentle. Anger is just, and pity is just, but judgement is never just.””

— D. H. Lawrence

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