
1837-1898
Georg Moritz Ebers (1 March 1837 – 7 August 1898) was a German Egyptologist and novelist. He is best known for his purchase of the Ebers Papyrus, one of the oldest Egyptian medical documents in the wo...
1887
Georg Ebers
Georg Ebers
Georg Ebers
1898
Georg Ebers
Georg Ebers
1893
Georg Ebers

1882
Georg Ebers
1897
Georg Ebers
1895
Georg Ebers
1880
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1898
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1898
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1880
Georg Ebers
1895
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1876
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1876
Georg Ebers
1837
Georg Ebers
1888
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1876
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1878
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1876
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1898
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1876
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Georg Ebers
Georg Ebers
1898
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1898
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Georg Ebers
Georg Ebers
1871
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Georg Ebers
1895
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Georg Ebers
1894
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Georg Ebers
1876
Georg Ebers
1895
Georg Ebers
Georg Ebers
1837
Georg Ebers
Georg Ebers
1878
Georg Ebers
1837
Georg Ebers
1898
Georg Ebers
Georg Ebers
Georg Ebers
1898
Georg Ebers
1892
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1895
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1897
Georg Ebers
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Georg Ebers
1915
Georg Ebers
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Georg Ebers
Georg Ebers
1837
Georg Ebers
1895
Georg Ebers
Georg Ebers
Georg Ebers
1898
Georg Ebers
1895
Georg Ebers
1888
Georg Ebers
Georg Ebers
Georg Ebers
1837
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1837
Georg Ebers
Georg Ebers
Georg Ebers
Georg Ebers
Georg Ebers
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Georg Ebers
1876
Georg Ebers
1876
Georg Ebers
Georg Ebers
1837
Georg Ebers
Georg Ebers
1864
Georg Ebers
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1895
Georg Ebers
1898
Georg Ebers
Georg Ebers
Georg Ebers
Georg Ebers
1893
Georg Ebers
Georg Ebers
Georg Ebers
Georg Ebers
Georg Ebers
Georg Ebers
1837
Georg Ebers
Georg Ebers
1876
Georg Ebers
1880
Georg Ebers
Georg Ebers
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1876
Georg Ebers
1895
Georg Ebers
Georg Ebers
1876
Georg Ebers
Georg Ebers
1898
Georg Ebers
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Georg Ebers

1895
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1890
Georg Ebers
1837
Georg Ebers
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1883
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Georg Ebers
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1878
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1898
Georg Ebers
1898
Translated by Clara Bell
A historical novel likely written in the late 19th century. The story unfolds in old Nuremberg, weaving complex themes of love, social class, and the conflicts that arise from them, particularly focusing on the central characters, Ann and Herdegen, as they navigate their budding romance against overwhelming societal expectations and familial pressures. At the start of the narrative, we find Herdegen due to leave for Padua, where he has been studying, after a period marked by deep personal connections with Ann and their cousin Maud. The atmosphere is a mix of joy and foreboding, as they experience the fleeting nature of happiness prior to his departure, compounded by the complexities of their social standings and the impending challenges. As the characters engage in musical gatherings and reflect on their familial legacies, a sense of longing and impending doom is introduced, hinting at the challenges their relationship will face as Ann's lower social status becomes a point of contention. This opening establishes a rich backdrop of emotional and societal intricacies that set the stage for the trials that will arise in the characters' lives.
Heinrich Heine
Theodor Fontane
Gotthold Ephraim Lessing
Clara Viebig
H. B. Cotterill
Hermann Sudermann

Unknown
Friedrich Schiller



Lewis Spence
Berthold Auerbach
Unknown