Hester: A Story of Contemporary Life, Volume 3 (of 3)
1883

Hester: A Story of Contemporary Life, Volume 3 (of 3)
1883
Catherine Vernon rules Redborough with the iron will of a woman who clawed her way to power in a man's world. Jilted in youth, she now controls the family bank and every dependent within it, seeing through everyone - or so she believes. Then Hester arrives: young, sharp-tongued, and determined to forge her own path in a society that offers women only marriage or dependence. When Hester falls for Edward, the man Catherine treats as a son, the stage is set for an explosive collision. Two women with matching wills and no intention of yielding. What follows is a masterful study in psychological tension: of blind spots, of the lies we tell ourselves about others and ourselves, of financial risk and sexual danger culminating in a climax that still resonates. Oliphant was one of Victorian literature's most incisive observers of how power operates in families and hearts, and Hester remains a stunning portrait of the wars fought over love, money, and autonomy - fought sometimes silently, sometimes with devastating honesty.
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“But there is nothing a man might not do, with you to encourage him. You make me wish to be a hero." He laughed, but Hester did not laugh. She gave him a keen look, in which there was a touch of disdain. " Do you really think," she said, " that the charm of inspiring, as you call it, is what any reasonable creature would prefer to doing? To make somebody else a hero rather than be a hero yourself? Women would need to be disinterested indeed if they like that best. I don't see it. Besides, we are not in the days of chivalry. What could you be inspired to do”
— Mrs. Oliphant
“Besides,'' she said, "it was not a hero I was thinking of. If anybody, it was Catherine Vernon." "Whom you don't like. These women, who step out of their sphere, they may do much to be respected, they may be of great use; but " "You mean that men don't like them," said Hester, with a smile; " but then women do; and, after all, we are the half of creation”
— Mrs. Oliphant
“Hester tried to smile when she recalled this, but could not, her heart being too sore, her whole being shaken. He thought so too perhaps, everybody thought so, and she alone, an involuntary rebel, would be compelled to accept the yoke which, to other women, was a simple matter, and their natural law. Why, then, was she made unlike others, or why was it so? Edward””
— Mrs. Oliphant
“She did not move, except now and then to put up her hand and dry the moisture which collected slowly under her eyelids. It could not be called tears. It was that extorted dew of pain which comes when the heart seems pressed and crushed in some giant grasp.””
— Mrs. Oliphant
“Was that what they called the natural lot of women? to suffer, perhaps to share the blame, but have no share in the plan, to sympathise, but not to know; to move on blindly according to some rule of loyalty and obedience, which to any other creature in the world would be folly and guilt?””
— Mrs. Oliphant
“It is a great pity," she said, "a girl like you, that instead of teaching or doing needlework, you should not go to Vernon's, as you have a right to do, and work there." "I wish I could," Hester said, with eager eyes. "They tell me you wanted to do something like what I had done. Ah! you did not know it was all to be done over again. This life is full of repetitions. People think the same thing does not happen to you twice over, but it does in my experience, You would soon learn. A few years' work, and you would be an excellent man of business; but it can't be,"' "Why cannot it be? You did it. I should not be afraid”
— Mrs. Oliphant
“He had made himself agreeable, but then, that was his way. He could not help making himself agreeable. The very tone of his voice changed when he spoke to any woman who pleased him, and he was very catholic in his tastes. Most women pleased him if they had good looks, or even the remains of good looks; or if they were clever; or even if they were nice; and he was pleasant to all, old and young. The quality was not without its dangers; but it had great advantages.””
— Mrs. Oliphant
“The birds had got their early twitterings over, and were in full outburst of song. The flowers were all in intensest dewy bloom, and everything taking the good of that sweet prime of the morning in which they bloomed and sang for themselves, and not officially, on behalf of the world. The girl forgot her vexation as she came out to the incense-breathing garden, to the trees no longer standing out black upon the sunset, but in all their sweet natural variations of colour, basking in the morning light. The pond even, that had looked so black, was like a basin of pure gold, rimmed with rich browns and greens. She opened the gate and looked out upon the road which was all silent, not a shadow upon it, swept by the broad early blaze of the morning sun. Not a sound except the chorus of the birds, the crackle of the furze bushes in the stillness, the hum of insects. She had all the world to herself...””
— Mrs. Oliphant
“He said you as if there was nobody but yourself who owned that pronoun.””
— Mrs. Oliphant
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Oliphant, Mrs.. Hester: A Story of Contemporary Life, Volume 3 (of 3). Lex, lex-books.com/book/hester-a-story-of-contemporary-life-volume-3-of-3-50e34290-89ba-449f-96db-87cb6eb8165d.Oliphant, M. (1883). Hester: A Story of Contemporary Life, Volume 3 (of 3). Lex. https://lex-books.com/book/hester-a-story-of-contemporary-life-volume-3-of-3-50e34290-89ba-449f-96db-87cb6eb8165dOliphant, Mrs.. Hester: A Story of Contemporary Life, Volume 3 (of 3). Lex. https://lex-books.com/book/hester-a-story-of-contemporary-life-volume-3-of-3-50e34290-89ba-449f-96db-87cb6eb8165d.


























































































































