William Monks was an influential Australian architect known for his extensive contributions to the architectural landscape of country New South Wales. Based in Wagga Wagga for over four decades, he established one of the most successful architectural practices in the region during the late 19th and early 20th centuries. Monks's work included a diverse array of buildings, showcasing his ability to blend functionality with aesthetic appeal, which significantly impacted the towns and communities he served. His designs were characterized by a commitment to local needs and materials, reflecting the cultural and environmental context of southern New South Wales. Monks's legacy is evident in the many structures that still stand today, serving as a testament to his vision and craftsmanship. His contributions not only shaped the architectural identity of the region but also laid the groundwork for future generations of architects in Australia, making him a notable figure in the history of Australian architecture.
“The more he asked about her childhood at Cloonhill the more Ellie loved her interrogator. No matter how strange he still sometimes seemed, she felt as if all her life she had known him. The past he talked about himself became another part of her: The games he had played alone, the untidy rooms of the house he described, the parties given, the pictures painted. Being with him in the woods at Lyre, where the air was cold and the trees imposed a gloomy darkness, or walking among the monks' graves, or being with him anywhere, telling or listening, was for Ellie more than friendship, or living, had ever been before.””
“Wood nymphs,” said Jackaby.“Not a real cheery lot, them,” observed Hudson.“In retrospect, a library is a rather somber locale for their kind. A bit like housing a man in a graveyard. Well, a bit like housing a man in a graveyard in which his people’s bones have been mashed to a pulp and reconstituted into slim sheets, onto which one has scribbled a lot of silly words with pictures of monks and satyrs in the margins.””
“O cowardly amd tyrannous race of monks, persecutors of the bard, and the gleemen, haters of life and joy! O race that does not draw the sword and tell the truth! O race that melts the bones of the people with cowardice and with deceit! ("The Crucifixion Of The Outcast")””
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