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O. S. Fowler

O. S. Fowler was an American phrenologist and author, best known for his influential works on the relationship between the mind and the shape of the skull. Born in 1809, Fowler became a prominent figure in the 19th-century movement that sought to understand human behavior and personality through the study of cranial features. His most notable work, 'The Phrenological Almanac,' provided insights into various aspects of phrenology, which was a popular pseudoscience of the time. He also authored 'Self-Culture' and 'The Principles of Phrenology,' which aimed to educate the public on the potential of personal development through understanding one's mental faculties. Fowler's contributions to phrenology were significant in shaping public interest in psychology and self-improvement during his era. Although phrenology has since been discredited as a scientific practice, Fowler's ideas about the mind and personality laid early groundwork for later psychological theories. His legacy endures as a reflection of the Victorian fascination with the human mind and the quest for self-knowledge, illustrating the complexities of human behavior and the cultural context of his time.

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“Scott stared at her mouth, just stared like he was hypnotized, paralyzed, like that crimson O was the answer to all of life’s problems, or maybe just his prayers. I kicked his shin to break the spell, which worked; he blinked, then ate the bite himself as if he’d never even offered it to anyone at all. I looked frankly at Carmel; her expression was innocently amused. There are women whose whole selves are engaged in being a public commodity, and Carmel was one of these. Every gesture she made, every syllable she uttered, the tinkle of her laughter, the way her dress’s fabric draped over her breasts, all of it was self-conscious and deliberate, designed to elicit admiration in women, desire in men. This isn’t to say I held any of that against her. Not a bit. I liked her, in fact. The way I saw it, she was a kind of living work of art, and funny and thoughtful besides. Was it her fault if she, as had happened to me, sometimes provoked the basest feelings in a man? Scott and Fred made short work of that second bottle of brandy while Carmel’s and my glasses still held our initial pour. I’d found that drinking very much of any kind of alcohol still did bad things to my stomach. Carmel might have found that it did bad things to her self-preservation; I know that if I looked like her, I’d never let down my guard.””

Z: A Novel of Zelda Fitzgerald

“Scott stared at her mouth, just stared like he was hypnotized, paralyzed, like that crimson O was the answer to all of life’s problems, or maybe just his prayers. I kicked his shin to break the spell, which worked; he blinked, then ate the bite himself as if he’d never even offered it to anyone at all. I looked frankly at Carmel; her expression was innocently amused. There are women whose whole selves are engaged in being a public commodity, and Carmel was one of these. Every gesture she made, every syllable she uttered, the tinkle of her laughter, the way her dress’s fabric draped over her breasts, all of it was self-conscious and deliberate, designed to elicit admiration in women, desire in men. This isn’t to say I held any of that against her. Not a bit. I liked her, in fact. The way I saw it, she was a kind of living work of art, and funny and thoughtful besides. Was it her fault if she, as had happened to me, sometimes provoked the basest feelings in a man? Scott and Fred made short work of that second bottle of brandy while Carmel’s and my glasses still held our initial pour. I’d found that drinking very much of any kind of alcohol still did bad things to my stomach. Carmel might have found that it did bad things to her self-preservation; I know that if I looked like her, I’d never let down my guard.””

Z: A Novel of Zelda Fitzgerald

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O. S. Fowler

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