Four poems, two visions of life, and one unmistakably modern voice emerging from the 17th century. In L'Allegro, Milton writes with startling freshness about dawn, milkmaids, and country fairs, chasing joy through the English countryside with a verve that feels almost breathless. Its companion piece, Il Penseroso, inverts every image, finding the sublime not in merriment but in solitary towers, twilight, and the "sober coloring" of contemplation. Then comes Comus, a MASQUE that becomes a psychological thriller: a virtuous lady lost in darkness, facing a seductive figure who argues for pleasure with more philosophy than you'd expect, and who discovers that chastity is not innocence but a deliberate, courageous choice. And Lycidas, the elegy that changed everything, mourning a drowned friend with grief so raw it spills into anger at a indifferent clergy and a God who lets the good die young, before finding, at last, some hard-won hope. Together, these poems announce a poet who could be tender and savage, courtly and colloquial, serious andwicked funny. They are, in their different ways, about choosing who you want to be.
