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An Occurrence at Owl Creek Bridge

1890

Ambrose Bierce

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An Occurrence at Owl Creek Bridge

Ambrose Bierce

1890

American Literature, Short Stories

A Confederate planter stands on a bridge with a noose around his neck, Union soldiers at his back. As he waits for death, time fractures and stretches. He imagines himself falling into the river below, breaking free, and struggling toward shore with superhuman intensity, every sensation vivid, every second an eternity as he races toward home, toward his wife waiting in the grove. The prose follows his desperate flight with cinematic precision: the burning rope, the roaring current, the earth and trees rendered in impossible detail. And then, in a single devastating beat, it all collapses. The story you've been reading was never happening. What Bierce constructed so carefully was the final hallucination of a dying mind, and the reader discovers they've been trapped in it too. The genius lies in how completely the prose makes you complicit in the illusion, feeling Farquhar's hope, his terror, his desperate love, before revealing the noose was always tightening. A masterwork of perception and cruelty, this is the Civil War story that understands how time bends under the weight of mortality.

Project Gutenberg

A short story written in the late 19th century, during the American Civil War era. The narrative delves into themes of t...

Wikipedia

"An Occurrence at Owl Creek Bridge" is an 1890 short story by American writer and American Civil War veteran Ambrose Bie...

Goodreads

The condemned man stands on a bridge, his hands bound behind his back. A noose is tied around his neck. In a moment he w...

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“He had power only to feel, and feeling was torment.””

— Ambrose Bierce

“It looked like diamonds, rubies, emeralds; he could think of nothing beautiful which it did not resemble.””

— Ambrose Bierce

“Death is a dignitary who when he comes announced is to be received with formal manifestations of respect, even by those most familiar with him. In the code of military etiquette silence and fixity are forms of deference.””

— Ambrose Bierce

“The intellectual part of his nature was already effaced; he had power only to feel, and feeling was torment. He was conscious of motion. Encompassed in a luminous cloud, of which he was now merely the fiery heart, without material substance, he swung through unthinkable arcs of oscillation, like a vast pendulum.””

— Ambrose Bierce

“He dug his fingers into the sand, threw it over himself in handfuls and audibly blessed it. It looked like diamonds, rubies, emeralds; he could not think of nothing beautiful which it did not resemble.””

— Ambrose Bierce

“All that day he travelled, laying his course by the rounding sun. The forest seemed interminable; nowhere did he discover a break in it, not even a woodman's road. He had not known that he lived in so wild a region. There was something uncanny in the revelation.””

— Ambrose Bierce

“Peyton Farquhar was dead; his body, with a broken neck, swung gently from side to side beneath the timbers of the Owl Creek bridge.””

— Ambrose Bierce

“He looked a moment at his "unsteadfast footing," then let his gaze wander to the swirling water of the stream racing madly beneath his feet. A piece of dancing driftwood caught his attention and his eyes followed it down the current. How slowly it appeared to move! What a sluggish stream!””

— Ambrose Bierce

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