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Sixes and Sevens

1911

O. Henry

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Sixes and Sevens

O. Henry

1911

American Literature, Humour, Short Stories

O. Henry's genius lay in the twist: that moment when a story pivots and reveals itself to have been something else entirely, something richer and stranger, all along. "Sixes and Sevens" gathers stories populated by wandering musicians, small-town dreamers, con artists with hearts of gold, and ordinary people caught in extraordinary circumstances. The opening tale, "The Last of the Troubadours," follows Sam Galloway, a singer who drifts from ranch to ranch bringing music to lonely households, until he arrives at old man Ellison's sheep ranch and finds a kindred spirit. What unfolds is pure O. Henry: humor that sneaks up on you, characters so warmly drawn you grieve their departures, and endings that rearrange everything you thought you knew. These are stories written in the golden light of early twentieth-century America, where a lottery ticket might change everything or nothing, where kindness hides in surprising places, and where the punchline arrives like a gift you didn't know you were waiting for. Perfect for readers who believe the shortest forms can contain the greatest depths.

Project Gutenberg

A collection of short stories published during the late 19th century. The stories often revolve around the themes of iro...

Wikipedia

Sixes and Sevens is the debut solo album by English musician John McKay, the first studio guitarist of Siouxsie and the...

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Sixes and Sevens
Sixes and SevensCurrent
Project Gutenberg · 254 pages
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“I wanted to paint a picture some day that people would stand before and forget that it was made of paint. I wanted it to creep into them like a bar of music and mushroom there like a soft bullet.””

— O. Henry

“Oh, I know what to do when I see victuals coming toward me in little old Bagdad-on-the-Subway. I strike the asphalt three times with my forehead and get ready to spiel yarns for my supper.””

— O. Henry

“We still say ‘the apple of the eye’ when we wish to describe something superlatively precious.””

— O. Henry

“Oh, come off your perch!" said the other man, who wore glasses. "Your premises won't come out in the wash. You wind-jammers who apply bandy-legged theories to concrete categorical syllogisms send logical conclusions skallybootin' into the infinitesimal ragbag. You can't pull my leg with an old sophism with whiskers on it.””

— O. Henry

“But now he was little more than a whimpering oyster led to be devoured on the sands of a Southern sea by the artful walrus, Circumstance, and the implacable carpenter, Fate.””

— O. Henry

“That sounds self-indulgent and gratifying without vulgar ostentation,” says I; “and I don’t see how money could be better invested. Give me a cuckoo clock and a Sep Winner’s Self-Instructor for the Banjo, and I’ll join you.””

— O. Henry

“Why, I've seen Kentuckians who hated whiskey, Virginians who weren't descended from Pocahontas, Indianians who hadn't written a novel, Mexicans who didn't wear velvet trousers with silver dollars sewed along the seams, funny Englishmen, spendthrift Yankees, cold-blooded Southerners, narrow- minded Westerners, and New Yorkers who were too busy to stop for an hour on the street to watch a one-armed grocer's clerk do up cranberries in paper bags. Let a man be a man and don't handicap him with the label of any section.””

— O. Henry

“For, even the preachers have begun to tell us that God is radium, or ether or some scientific compound, and that the worst we wicked ones may expect is a chemical reaction.””

— O. Henry

“But Elsie thought she could find it. She had heard that policemen, when politely addressed, or thumbscrewed by an investigation committee, will give up information and addresses.””

— O. Henry

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