
José Rizal was a Filipino nationalist and polymath whose writings and activism played a pivotal role in the movement for Philippine independence from Spanish colonial rule. Born into a wealthy family, he pursued a career in ophthalmology but became best known for his literary contributions, particularly his novels 'Noli Me Tangere' and 'El Filibusterismo.' These works exposed the social injustices and corruption of the Spanish government, igniting a sense of nationalism among Filipinos and inspiring future generations to fight for their rights and freedoms. Rizal's involvement in the Filipino Propaganda Movement during the 1880s marked him as a key figure in advocating for political reforms. His eloquent critiques of colonial rule and his vision for a reformed society made him a target of the Spanish authorities, ultimately leading to his execution in 1896. Despite his tragic end, Rizal's legacy endures as a symbol of resistance and enlightenment, and he is celebrated as a national hero in the Philippines, where his writings continue to inspire discussions on identity, freedom, and justice.
“Countrymen: I have given proofs, as well as the best of you, of desiring liberty for our country, and I continue to desire it. But I place as a premise the education of the people, so that by means of instruction and work they may have a personality of their own and that they may make themselves worthy of that same liberty. In my writings I have recommended the study of the civic virtues, without which there can be no redemption. I have also written (and my words have been repeated) that reforms, to be fruitful, must come from above, that those which spring from below are uncertain and insecure movements. Imbued with these ideas, I cannot do less than condemn, and I do condemn, this absurd, savage rebellion, planned behind my back, which dishonors the Filipinos and discredits those who can speak for us. I abominate all criminal actions and refuse any kind of participation in them, pitying with all my heart the dupes who have allowed themselves to be deceived. Go back, then, to your homes, and may God forgive those who have acted in bad faith.”
“What said those two souls communicating through the language of the eyes, more perfect than that of the lips, the language given to the soul in order that sound may not mar the ecstasy of feeling? In such moments, when the thoughts of two happy beings penetrate into each other’s souls through the eyes, the spoken word is halting, rude, and weak—it is as the harsh, slow roar of the thunder compared with the rapidity of the dazzling lightning flash, expressing feelings already recognized, ideas already understood, and if words are made use of it is only because the heart’s desire, dominating all the being and flooding it with happiness, wills that the whole human organism with all its physical and psychical powers give expression to the song of joy that rolls through the soul. To the questioning glance of love, as it flashes out and then conceals itself, speech has no reply; the smile, the kiss, the sigh answer.”
“What was exchanged in the language of their eyes, more perfect than their lips, the language afforded the soul so that no sound disturbs an ecstasy of feeling? In those moments, when the thought of the two happy beings meld through their pupils, words move slowly, coarsely, like the raspy, awkward noise of thunder from dazzling light that appears after the quickness of the flash. It expresses feelings previously known, ideas yet understood, and in the end, if one must use words, it is because the heart’s ambitions—which dominates one’s whole being and overflows with happiness—wishes with the whole human organism, with all its physical and psychical faculties, to embody the poem of joy that the spirit has intoned. Language has no answer to the questions of love that either shimmer or hide within a glance. The smile must respond; the kiss, the sigh.”