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Triumph of the Egg, and Other Stories

1921

Sherwood Anderson

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Triumph of the Egg, and Other Stories

Sherwood Anderson

1921

American Literature, Short Stories

Sherwood Anderson's 1921 collection peers beneath the surface of ordinary American lives with an almost unsettling intimacy. The stories here inhabit the quiet desperation of small towns and backroads, where people harbor secret longings they cannot voice. The title story follows a chicken farmer and his wife who drive to a hotel seeking 'adventure', a word that becomes both laughable and heartbreaking in their mouths. Other pieces trace similar collisions between dreams and reality: a mother confronts the limits of her influence, lovers circle each other in clumsy attempts at connection, and solitary figures grapple with the gap between who they are and who they imagined they'd become. Anderson writes in a style that influenced an entire generation of American writers, finding tragedy and dignity in people the world otherwise overlooks. His prose has the quality of someone leaning close to tell you something true about loneliness.

Project Gutenberg

A collection of short stories likely written in the early 20th century, reflecting the complexities of American life dur...

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Triumph of the Egg, and Other Stories
Triumph of the Egg, and Other StoriesCurrent
Project Gutenberg · 267 pages
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“Love is like a wind stirring the grass beneath trees on a black night,' he had said. 'You must not try to make love definite. It is the divine accident of life. If you try to be definite and sure about it and to live beneath the trees, where soft night winds blow, the long hot day of disappointment comes swiftly and the gritty dust from passing wagons gathers upon lips inflamed and made tender by kisses.””

— Sherwood Anderson

“There is a time in the life of every boy when he for the first time takes the backward view of life. Perhaps that is the moment when he crosses the line into manhood. The boy is walking through the street of his town. He is thinking of the future and of the figure he will cut in the world. Ambitions and regrets awake within him. Suddenly something happens; he stops under a tree and waits as for a voice calling his name. Ghosts of old things creep into his consciousness; the voices outside of himself whisper a message concerning the limitations of life. From being quite sure of himself and his future he becomes not at all sure. If he be an imaginative boy a door is torn open and for the first time he looks out upon the world, seeing, as though they marched in procession before him, the countless figures of men who before his time have come out of nothingness into the world, lived their lives and again disappeared into nothingness. The sadness of sophistication has come to the boy. With a little gasp he sees himself as merely a leaf blown by the wind through the streets of his village. He knows that in spite of all the stout talk of his fellows he must live and die in uncertainty, a thing blown by the winds, a thing destined like corn to wilt in the sun.””

— Sherwood Anderson

“You must try to forget all you have learned,' said the old man. 'You must begin to dream. From this time on you must shut your ears to the roaring of the voices.””

— Sherwood Anderson

“In that high place in the darkness the two oddly sensitive human atoms held each other tightly and waited. In the mind of each was the same thought. "I have come to this lonely place and here is this other," was the substance of the thing felt.””

— Sherwood Anderson

“Only the few know the sweetness of the twisted apples.””

— Sherwood Anderson

“I am a lover and have not found my thing to love. That is a big point if you know enough to realize what I mean. It makes my destruction inevitable, you see. There are few who understand that.””

— Sherwood Anderson

“Dare to be strong and courageous. That is the road. Venture anything. Be brave enough to dare to be loved. Be something more than man or woman. Be Tandy.””

— Sherwood Anderson

“I wanted to run away from everything but I wanted to run towards something too. Don't you see, dear, how it was?””

— Sherwood Anderson

“In youth there are always two forces fighting in people. The warm unthinking little animal struggles against the thing that reflects and remembers””

— Sherwood Anderson

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