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The Stones of Venice, Volume 3 (of 3)

John Ruskin

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The Stones of Venice, Volume 3 (of 3)

John Ruskin

Architecture, Art, History - European, Philosophy & Ethics

This is the third and most polemical volume of John Ruskin's great crusade against the Renaissance. Here the Victorian critic delivers his devastating argument that Venice's shift from Gothic grandeur to Renaissance restraint marked not progress, but spiritual collapse. Ruskin writes as an angry prophet: the earlier buildings, with their organic asymmetry and manual imperfection, expressed genuine faith and communal devotion, while the Renaissance brought calculated elegance and moral emptiness. This is architectural criticism as moral philosophy, a war of ideas about what buildings reveal about the souls of those who build them. Ruskin's prose is muscular, vivid, occasionally furious - he wants you to see what he sees, feel what he feels. The book shaped how educated travelers understood Venice for over a century and influenced everyone from William Morris to Le Corbusier. It remains essential for anyone who cares about the argument between tradition and innovation, between craft and design, between buildings that speak to the hand and eye and those that speak only to the mind.

Project Gutenberg

A detailed architectural treatise written in the mid-19th century. This volume focuses on the Renaissance period in Veni...

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"It is in Venice, and in Venice only, that effectual blows can be struck at this pestilent art of the Renaissance. Destr...

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The Stones of Venice, Volume 3 (of 3)
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“To banish imperfection is to destroy expression, to check exertion, to paralyze vitality.””

— John Ruskin

“The purest and most thoughtful minds are those which love color the most.””

— John Ruskin

“Imperfection is in some sort essential to all that we know in life.””

— John Ruskin

“Understand this clearly: you can teach a man to draw a straight line, and to carve it; and to copy and carve any number of given lines or forms, with admirable speed and perfect precision; and you find his work perfect of its kind: but if you ask him to think about any of those forms, to consider if he cannot find any better in his own head, he stops; his execution becomes hesitating; he thinks, and ten to one he thinks wrong; ten to one he makes a mistake in the first touch he gives to his work as a thinking being. But you have made a man of him for all that. He was only a machine before, an animated tool.””

— John Ruskin

“An architect should live as little in cities as a painter. Send him to our hills, and let him study there what nature understands by a buttress, and what by a dome.””

— John Ruskin

“The second reason is, that imperfection is in some sort essential to all that we know of life. It is the sign of life in a mortal body, that is to say, of a state of progress and change. Nothing that lives is, or can be, ridgidly perfect; part of it is decaying, part nascent. The foxglove blossom,--a third part bud, a third part past, a third part in full bloom,--is a type of the life of this world. And in all things that live there are certain irregularities and deficiencies which are not only signs of life, but sources of beauty. All admit irregularity as they imply change; and to banish imperfection is to destroy expression, to check exertion, to paralyse vitality.””

— John Ruskin

“I believe that the characteristic or moral elements of Gothic are the following, placed in the order of their importance: 1. Savageness; 2. Changefulness; 3. Naturalism; 4. Grotesqueness; 5. Rigidity; 6. Redundance.””

— John Ruskin

“And now come with me, for I have kept you too long from your gondola: come with me, on an autumnal morning, to a low wharf or quay at the extremity of a canal, with long steps on each side down to the water, which latter we fancy for an instant has become black with stagnation; another glance undeceives us, --it is covered with the black boats of Venice. We enter one of them, rather to try if they be real boats or not, than with any definite purpose, and glide away; at first feeling as if the water were yielding continually beneath the boat and letting her sink into soft vacancy.””

— John Ruskin

“The mass of society is made up of morbid thinkers, and miserable workers. Now it is only by labour that thought can be made healthy, and only by thought that labour can be made happy, and the two cannot be separated with impunity.””

— John Ruskin

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