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The Return of the Native

1878

Thomas Hardy

The Return of the Native

The Return of the Native

Thomas Hardy

1878

British Literature, Classics of Literature, Novels

The wild, ancient Egdon Heath is not merely setting but force in this unforgiving tragedy of desire and misrecognition. Here, under brooding skies and across treacherous terrain, Thomas Hardy constructs his darkest meditation on what happens when human longing collides with indifferent fate. Eustacia Vye, burning with restless passion, sees in the returning Clym Yeobright her passage out of rural confinement toward the cosmopolitan life she craves. But Clym has returned not to escape the heath but to transform it, and the collision of their incompatible dreams sets in motion a chain of events that destroys everyone within reach. Hardy writes with devastating precision about how people fail to see each other clearly, how love becomes a form of self-destruction, and how the landscape itself seems to conspire against happiness. The novel pulses with erotic tension, bitter irony, and the terrible weight of choices that can never be taken back. For readers who want Victorian fiction that burns rather than comforts, that ends in ruin rather than reconciliation, this remains Hardy's most ruthless and hypnotic achievement.

Project Gutenberg

A novel written in the late 19th century (Victorian era). The story is set against the backdrop of the somber and myster...

Wikipedia

The Return of the Native is the sixth published novel by English author Thomas Hardy. It first appeared in the magazine...

Goodreads

Tempestuous Eustacia Vye passes her days dreaming of passionate love and the escape it may bring from the small communit...

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“Why is it that a woman can see from a distance what a man cannot see close?””

— Thomas Hardy

“Backlock, a poet blind from his birth, could describe visual objects with accuracy; Professor Sanderson, who was also blind, gave excellent lectures on color, and taught others the theory of ideas which they had and he had not. In the social sphere these gifted ones are mostly women; they can watch a world which they never saw, and estimate forces of which they have only heard. We call it intuition.””

— Thomas Hardy

“To be loved to madness--such was her great desire. Love was to her the one cordial which could drive away the eating loneliness of her days. And she seemed to long for the abstraction called passionate love more than for any particular lover.””

— Thomas Hardy

“She was at that modulating point between indifference and love, at the stage called having a fancy for. It occurs once in the history of the most gigantic passions, and it is a period when they are in the hands of the weakest will.””

— Thomas Hardy

“Persons with any weight of character carry, like planets, their atmospheres along with them in their orbits.””

— Thomas Hardy

“A blaze of love and extinction, was better than a lantern glimmer of the same which should last long years.””

— Thomas Hardy

“Sometimes more bitterness is sown in five minutes than can be got rid of in a whole life;””

— Thomas Hardy

“To be conscious that the end of a dream is approaching, and yet has not absolutely come, is one of the most wearisome as well as the most curious stages along the course between the beginning of a passion and its end.””

— Thomas Hardy

“To have lost is less disturbing than to wonder if we may possibly have won; and Eustacia could now, like other people at such a stage, take a standing-point outside herself, observe herself as a disinterested spectator, and think what a sport for Heaven this woman Eustacia was.””

— Thomas Hardy

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