Under the Greenwood Tree; Or, the Mellstock Quire: A Rural Painting of the Dutch School
1872
Under the Greenwood Tree; Or, the Mellstock Quire: A Rural Painting of the Dutch School
1872
Before Thomas Hardy became the grim chronicler of Wessex, he wrote something softer. Under the Greenwood Tree is his love letter to a rural England already vanishing: a world of village choirs singing door-to-door in the snow, of ancient customs threading through every season, of lives measured by church bells and harvest moons. Dick Dewy, young musician from the Mellstock Quire, falls for Fancy Day, the new schoolmistress who represents everything the old order resists. Their courtship unfolds against gentle friction between tradition and modernity, between rustics guarding their ways and forces reshaping the English countryside. Hardy paints the village like a Dutch master: meticulous, warm, full of telling domestic detail. What makes this book endure is its sweetness undercut with loss. You feel Hardy knew this world was dying even as he described it. For readers who want to step into a village where music still binds people together, where Christmas means going the rounds with lantern light and harmonies in the cold air.
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“If we be doomed to marry, we marry; if we be doomed to remain single we do.””
— Thomas Hardy
“To dwellers in a wood, almost every species of tree has its voice as well as its feature.””
— Thomas Hardy
“There's a friendly tie of some sort between music and eating.””
— Thomas Hardy
“Everybody must be managed. Queens must be managed. Kings must be managed, for men want managing almost as much as women, and that's saying a good deal.””
— Thomas Hardy
“If the story-tellers could ha' got decency and good morals from true stories, who'd have troubled to invent parables?””
— Thomas Hardy
“Thought failed him, and he returned to realities.””
— Thomas Hardy
“Why, you make anyone think that loving is a thing that can be done and undone, and put on and put off at a mere whim.””
— Thomas Hardy
“Half an hour afterwards Dick emerged from the inn, and if Fancy's lips had been real cherries, probably Dick's would have appeared deeply stained.””
— Thomas Hardy
“How people will talk about one’s doings!” Fancy exclaimed.“Well, if you make songs about yourself, my dear, you can’t blame other people for singing ’em.””
— Thomas Hardy
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Hardy, Thomas. Under the Greenwood Tree; Or, the Mellstock Quire: A Rural Painting of the Dutch School. Lex, lex-books.com/book/under-the-greenwood-tree-or-the-mellstock-quire-a-rural-painting-of-the-dutch-sc-7f520b2d-0e2e-49d9-a4d5-208779a8422f.Hardy, T. (1872). Under the Greenwood Tree; Or, the Mellstock Quire: A Rural Painting of the Dutch School. Lex. https://lex-books.com/book/under-the-greenwood-tree-or-the-mellstock-quire-a-rural-painting-of-the-dutch-sc-7f520b2d-0e2e-49d9-a4d5-208779a8422fHardy, Thomas. Under the Greenwood Tree; Or, the Mellstock Quire: A Rural Painting of the Dutch School. Lex. https://lex-books.com/book/under-the-greenwood-tree-or-the-mellstock-quire-a-rural-painting-of-the-dutch-sc-7f520b2d-0e2e-49d9-a4d5-208779a8422f.















