The Duke of Gandia
The Borgias have intrigued and horrified the world for five centuries, and in this ferocious tragedy, Algernon Charles Swinburne captures their poison with Victorian intensity. Set in the Vatican of the late fifteenth century, the play confronts us with Pope Alexander VI and his sons, Cæsar and Francesco, men bound by blood but torn apart by an ambition so devouring it can only end in blood. Cæsar Borgia, magnetic and ruthless, sees only one path forward: eliminate his brother to claim his birthright. Swinburne, the Victorian age's most wickedly gifted poet, brings his trademark dark lyricism to the stage, transforming Borgia treachery into something mythic and terrible. The dialogue crackles with barely contained violence, and the tragedy builds with the inevitability of Greek drama. This is Renaissance corruption rendered in Victorian fire, power and its lethal costs laid bare.
