Tamburlaine the Great — Part 2
1590
Tamburlaine the Great — Part 2
1590
Marlowe's towering sequel completes the tragedy of history's most terrifyingly ambitious man. Where Part One chronicled Tamburlaine's meteoric rise from shepherd's son to emperor of the world, Part Two watches power corrupt and consume its own. The Mongol conqueror who once defied kings now finds his ambition turned inward, devouring everything he built and everyone he loved. Zenocrate, his queen and the voice of conscience, watches the man she married become the tyrant she fears. Meanwhile, Orcanes of Natolia and Sigismund of Hungary rally their forces against a conqueror who has become a threat to all kings. Marlowe's language burns with the same ferocity as Tamburlaine's campaigns, turning blank verse into an instrument of both beauty and terror. This is the first true English tragedy, a work that established the form for all of Shakespeare to follow, and it remains startlingly modern in its examination of how the drive for absolute power is ultimately self-annihilating. The play asks what remains when ambition outgrows humanity, and its answer is as stark now as it was four centuries ago.
About Tamburlaine the Great — Part 2
Chapter Summaries
- Prologue
- The prologue announces that this second part will show Tamburlaine's death and the fate of Zenocrate, promising to unfold how he celebrated her funeral with the sacrifice of cities.
- Act I, Scene I
- Orcanes, king of Natolia, meets with Sigismund, king of Hungary, to make peace so they can focus on fighting Tamburlaine. They swear oaths by their respective gods to maintain the treaty.
- Act I, Scene II
- Callapine, son of Bajazeth and Tamburlaine's prisoner, convinces his keeper Almeda to help him escape by promising him a kingdom. They flee to a waiting Turkish galley.
Key Themes
- Death and Mortality
- The play confronts the inevitability of death through Zenocrate's illness and Tamburlaine's final mortality. Despite his god-like power, Tamburlaine cannot conquer death itself, making this his ultimate limitation.
- Divine Justice and Punishment
- The play explores divine retribution through Sigismund's punishment for breaking his Christian oath and Tamburlaine's role as 'the scourge of God.' Religious conflicts between Christianity and Islam underscore questions of divine favor.
- Legacy and Succession
- Tamburlaine's relationship with his three sons examines how power and values are passed down. His killing of the cowardly Calyphas and elevation of Amyras reflects his belief that only the worthy should inherit power.
Characters
- Tamburlaine(protagonist)
- The mighty Scythian conqueror, now king of Persia, who continues his relentless campaigns of conquest. In this second part, he faces the death of his beloved wife Zenocrate and his own mortality while trying to pass his legacy to his sons.
- Zenocrate(major)
- Tamburlaine's beloved wife and empress who dies of illness in Act II. Her death profoundly affects Tamburlaine and marks a turning point in the play.
- Callapine(antagonist)
- Son of the deceased Bajazeth, held prisoner by Tamburlaine but escapes with help from his keeper Almeda. He seeks revenge for his father's humiliation and death.
- Calyphas(major)
- Tamburlaine's eldest son who refuses to fight and prefers peace to war. His cowardice enrages his father, leading to his death at Tamburlaine's own hands.
- Amyras(major)
- Tamburlaine's second son who proves brave in battle and inherits his father's throne and empire. He represents the continuation of Tamburlaine's legacy.
- Celebinus(major)
- Tamburlaine's youngest son who shows eagerness for war and conquest, embodying his father's martial spirit despite his youth.










