Romola
1862
Florence, 1494. The Medici have been expelled, and a firebrand friar named Savonarola commands the city with visions of apocalyptic reform. Into this crucible of political and religious upheaval walks Tito Melema, a young Greek survivor of shipwreck, whose charm conceals a talent for betrayal. He wins the heart of Romola, the devoted daughter of a blind scholar, but his duplicity in both love and politics threatens to destroy everything she holds sacred. George Eliot called this novel "written with my best blood," and it shows. Romola is not merely a historical pageant but a fierce examination of intellectual integrity, moral courage, and what it costs a woman to think for herself in an age that forbade it. As Savonarola's Bonfire of the Vanities consumes Florentine art and the city tears itself apart over questions of faith and freedom, Romola must choose: the safety of her vows, or the terrifying freedom of her own conscience. This is Eliot at her most ambitious, weaving Renaissance art, political intrigue, and philosophical inquiry into a novel that asks what we owe to truth when truth brings no reward.
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“His faith wavered, but not his speech: it is the lot of every man who has to speak for the satisfaction of the crowd, that he must often speak in virtue of yesterday's faith, hoping it will come back to-morrow.””
— George Eliot
“Romola had had contact with no mind that could stir the larger possibilities of her nature; they lay folded and crushed like embryonic wings, making no element in her consciousness beyond an occasional vague uneasiness.””
— George Eliot
“The great river-courses which have shaped the lives of men have hardly changed; and those other streams, the life-currents that ebb and flow in human hearts, pulsate to the same great needs, the same great loves and terrors.””
— George Eliot
“We prepare ourselves for sudden deeds by the reiterated choice of good or evil which gradually determines character.””
— George Eliot
“You come as opportunely as cheese on macaroni.””
— George Eliot
“It is but once that we can know our worst sorrows.””
— George Eliot
“Ah, Iddio non paga il Sabatol (‘God does not pay on a Saturday’)”
— George Eliot
“And in this way he had learned to distrust men without bitterness; looking on life mainly as a game of skill, but not dead to traditions of heroism and clean-handed honour.””
— George Eliot
“There has been no great people without processions, and the man who thinks himself too wise to be moved by them to anything but contempt, is like the puddle that was proud of standing alone while the river rushed by.””
— George Eliot
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Eliot, George. Romola. Lex, lex-books.com/book/romola-b40c75ab-47bb-4d92-a371-ac7c86e8dfc2.Eliot, G. (1862). Romola. Lex. https://lex-books.com/book/romola-b40c75ab-47bb-4d92-a371-ac7c86e8dfc2Eliot, George. Romola. Lex. https://lex-books.com/book/romola-b40c75ab-47bb-4d92-a371-ac7c86e8dfc2.

















