Poems
1920
Wilfred Owen was twenty-three when he walked into the trenches. He was twenty-five when a German sniper ended his life on a French battlefield, six days before the Armistice. In between, he wrote the poems that would reshape English literature forever. This collection contains the fierce, unflinching verses he composed in the mud of the Western Front, poems that strip war of every lie ever told about it. Here is the gas-blinded soldier stumbling toward the camera like a man on fire. Here are the young men who died for a sentence they were never taught to question. Owen's innovation lies not in ornament but in honesty: his slant rhymes, his assonance, his refusal to soften a single image. He wrote for the dead and the living, for the mothers who would never hold their sons again. This is not poetry about war. It is poetry born from war's open wound, still bleeding.
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“Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of disappointed shells that dropped behind. GAS! Gas! Quick, boys!-- An ecstasy of fumbling, Fitting the clumsy helmets just in time; But someone still was yelling out and stumbling And floundering like a man in fire or lime.-- Dim, through the misty panes and thick green light As under a green sea, I saw him drowning. In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning. If in some smothering dreams you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil's sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues,-- My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori.””
— Wilfred Owen
“The universal pervasion of ugliness, hideous landscapes, vile noises, foul language...everything. Unnatural, broken, blasted; the distortion of the dead, whose unburiable bodies sit outside the dug outs all day, all night, the most execrable sights on earth. In poetry we call them the most glorious.””
— Wilfred Owen
“If you could hear, at every jolt, the bloodCome gargling from the froth-corrupted lungsObscene as cancer, bitter as the cudOf vile, incurable sores on innocent tongues,My friend, you would not tell with such high zestTo children ardent for some desperate gloryThat old lie: Dulce et decorum estPro patria mori.””
— Wilfred Owen
“I am the enemy you killed, my friend.””
— Wilfred Owen
“O what made fatuous sunbeams toilTo break earth's sleep at all?””
— Wilfred Owen
“We cannot consummate our bliss and not consumeAll joys are cakes and vanish in eatingAll bliss is sugar's melting in the mouth””
— Wilfred Owen
“What passing bells for these who die as cattle? Only the monstrous anger of the guns. Only the stuttering rifles' rapid rattle Can patter out their hasty orisons.””
— Wilfred Owen
“It seemed that out of the battle I escaped Down some profound dull tunnel, long since scooped Through granites which Titanic wars had groined. Yet also there encumbered sleepers groaned, Too fast in thought or death to be bestirred. Then, as I probed them, one sprang up, and stared With piteous recognition in fixed eyes, Lifting distressful hands as if to bless. And by his smile, I knew that sullen hall, By his dead smile, I knew we stood in Hell. With a thousand pains[3]that vision's face was grained; Yet no blood reached there from the upper ground, And no guns thumped, or down the flues made moan. "Strange, friend," I said, "Here is no cause to mourn." "None," said the other, "Save the undone years, The hopelessness. Whatever hope is yours, Was my life also; I went hunting wild After the wildest beauty in the world, Which lies not calm in eyes, or braided hair, But mocks the steady running of the hour, And if it grieves, grieves richlier than here. For by my glee might many men have laughed, And of my weeping something had been left, Which must die now. I mean the truth untold, The pity of war, the pity war distilled. Now men will go content with what we spoiled. Or, discontent, boil bloody, and be spilled. They will be swift with swiftness of the tigress, None will break ranks, though nations trek from progress. Courage was mine, and I had mystery, Wisdom was mine, and I had mastery; To miss the march of this retreating world Into vain citadels that are not walled. Then, when much blood had clogged their chariot-wheels I would go up and wash them from sweet wells, Even with truths that lie too deep for taint. I would have poured my spirit without stint But not through wounds; not on the cess of war. Foreheads of men have bled where no wounds were. I am the enemy you killed, my friend. I knew you in this dark; for so you frowned Yesterday through me as you jabbed and killed. I parried; but my hands were loath and cold. Let us sleep now. . . .””
— Wilfred Owen
“My friend, you would not tell with such high zestTo children ardent for some desperate glory,The old Lie: Dulce et decorum estPro patria mori.””
— Wilfred Owen
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Owen, Wilfred. Poems. Lex, lex-books.com/book/poems-705f5a22-c360-4422-b6a7-1506cdaa94b5.Owen, W. (1920). Poems. Lex. https://lex-books.com/book/poems-705f5a22-c360-4422-b6a7-1506cdaa94b5Owen, Wilfred. Poems. Lex. https://lex-books.com/book/poems-705f5a22-c360-4422-b6a7-1506cdaa94b5.






