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Wilfred Owen

Wilfred Owen

Wilfred Owen was an English poet and soldier, recognized as one of the foremost voices of First World War poetry. His experiences in the trenches profoundly shaped his work, which starkly depicted the brutal realities of war, contrasting sharply with the romanticized portrayals prevalent in the poetry of his predecessors. Influenced by his mentor Siegfried Sassoon, Owen's verses conveyed the physical and psychological toll of combat, challenging the patriotic narratives that glorified warfare. His poignant poems, including 'Dulce et Decorum est', 'Anthem for Doomed Youth', and 'Futility', are notable for their vivid imagery and emotional depth, reflecting the disillusionment of a generation caught in the horrors of conflict. Owen's literary significance lies in his ability to articulate the grim truths of war, making him a pivotal figure in modernist poetry. His work, largely published posthumously, has left a lasting impact on both literature and public consciousness regarding the realities of war. Tragically, Owen's life was cut short when he was killed in action just days before the armistice, at the age of 25. His legacy endures through his powerful exploration of suffering and humanity, ensuring his place as a key figure in the canon of war literature.

Wikipedia

Wilfred Edward Salter Owen MC (18 March 1893 – 4 November 1918) was an English poet and soldier. He was one of the leadi...

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“Dulce Et Decorum Est Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of disappointed shells that dropped behind. GAS! Gas! Quick, boys!-- An ecstasy of fumbling, Fitting the clumsy helmets just in time; But someone still was yelling out and stumbling And floundering like a man in fire or lime.-- Dim, through the misty panes and thick green light As under a green sea, I saw him drowning. In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning. If in some smothering dreams you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil's sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues,-- My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori.”

“Red lips are not so red as the stained stones kissed by the English dead.”

“And you have fixed my life — however short. You did not light me: I was always a mad comet; but you have fixed me. I spun round you a satellite for a month, but I shall swing out soon, a dark star in the orbit where you will blaze.”

“Dulce Et Decorum Est Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of disappointed shells that dropped behind. GAS! Gas! Quick, boys!-- An ecstasy of fumbling, Fitting the clumsy helmets just in time; But someone still was yelling out and stumbling And floundering like a man in fire or lime.-- Dim, through the misty panes and thick green light As under a green sea, I saw him drowning. In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning. If in some smothering dreams you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil's sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues,-- My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori.”

“Red lips are not so red as the stained stones kissed by the English dead.”

“And you have fixed my life — however short. You did not light me: I was always a mad comet; but you have fixed me. I spun round you a satellite for a month, but I shall swing out soon, a dark star in the orbit where you will blaze.”

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