Miscellanies
Miscellanies gathers Oscar Wilde's early critical essays, revealing the aesthetic philosophy that would later explode into The Picture of Dorian Gray and The Importance of Being Earnest. Here is Wilde before the novelist, inhabiting his true calling as the century's most dazzling art critic. He visits the Grosvenor Gallery and renders judgments with imperial certainty; he stands before the pyramid near Rome's Protestant Cemetery, where Keats lies in lonely glory, and transforms a travel sketch into an elegy for beauty itself. These pieces trace Wilde's conviction that art is not imitation but revelation, that the critic's eye matters as much as the artist's hand. The collection includes Ross's introduction, which acknowledges the volume's fragmentary nature while defending Wilde's singular voice. Reading these essays is to watch a genius in rehearsal, sharpening the weapons of paradox and precision that would make him unforgettable.
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“It is possible, of course, that I may exaggerate about them. I certainly hope that I do; for where there is no exaggeration there is no love, and where there is no love there is no understanding. It is only about things that do not interest one, that one can give a really unbiassed opinion; and this is no doubt the reason why an unbiassed opinion is always valueless.””
— Oscar Wilde





















