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Gegen Den Strich

1884

J.-K. Huysmans

Gegen Den Strich

Gegen Den Strich

J.-K. Huysmans

1884

French Literature, Novels

Translated by Martha Capsius

Gegen Den Strich, published in 1884 by J.-K. Huysmans, is a novel that follows Jean des Esseintes, the last heir of a declining noble family. The story explores his alienation from society and his quest for personal identity as he retreats to a secluded home, rejecting the mediocrity of the world around him. This work is notable for its critique of naturalism and its role as a seminal text of the fin-de-siècle movement, portraying des Esseintes as a quintessential dandy consumed by aestheticism and neurosis.

Project Gutenberg

A novel written in the late 19th century. The story follows Jean des Esseintes, the last heir of a once-proud noble fami...

Goodreads

Dieses Buch ist einmalig in seiner Exzentrik: Joris-Karl Huysmans schrieb es 1884 als spektakuläres Gegengift zum allzu...

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“Immersed in solitude, he would dream or read far into the night. By protracted contemplation of the same thoughts, his mind grew sharp, his vague, undeveloped ideas took on form.””

— J.-K. Huysmans

“His contempt for humanity grew fiercer, and at last he came to realize that the world is made up mostly of fools and scoundrels. It became perfectly clear to him that he could entertain no hope of finding in someone else the same aspirations and antipathies; no hope of linking up with a mind which, like his own, took pleasure in a life of studious decrepitude; no hope of associating an intelligence as sharp and wayward as his own with any author or scholar.””

— J.-K. Huysmans

“Already, he was dreaming of a refined solitude, a comfortable desert, a motionless ark in which to seek refuge from the unending deluge of human stupidity.””

— J.-K. Huysmans

“(Baudelaire) had descended to the bottom of the inexhaustible mine, had picked his way along abandoned or unexplored galleries, and had finally reached those districts of the soul where the monstrous vegetations of the sick mind flourish. There, near the breeding ground of intellectuals aberrations and disease of the mind - the mysterious tetanus, the burning fever of lust, the thyphoids and yellow fevers of crime – he had found, hatching in the dismal forcing-house of ennui, the frightening climacteric of thoughts and emotions.””

— J.-K. Huysmans

“I seek new perfumes, ampler blossoms, untried pleasures.””

— J.-K. Huysmans

“The belief that man is an irresolute creature pulled this way and that by two forces of equal strength, alternately winning and losing the battle for his soul; the conviction that human life is nothing more than an uncertain struggle between heaven and hell; the faith in two opposed entities, Satan and Christ - all this was bound to engender those internal discords in which the soul, excited by the incessant fighting, stimulated as it were by the constant promises and threats, ends up by giving in and prostitutes itself to whichever of the two combatants has been more obstinate in its pursuit.””

— J.-K. Huysmans

“…he noticed that the free thinkers, the doctrinaires of the bourgeoisie, people who claimed every liberty that they might stifle the opinions of others, were greedy and shameless puritans whom, in education, he esteemed inferior to the corner shoemaker.””

— J.-K. Huysmans

“He lived within himself, nourished by his own substance, like some torpid creature which hibernates in caves. Solitude had reacted upon his brain like a narcotic. After having strained and enervated it, his mind had fallen victim to a sluggishness which annihilated his plans, broke his will power and invoked a cortège of vague reveries to which he passively submitted.The confused medley of meditations on art and literature in which he had indulged since his isolation, as a dam to bar the current of old memories, had been rudely swept away, and the onrushing, irresistible wave crashed into the present and future, submerging everything beneath the blanket of the past, filling his mind with an immensity of sorrow, on whose surface floated, like futile wreckage, absurd trifles and dull episodes of his life.””

— J.-K. Huysmans

“...he shrunk more and more from the realities of life and above all from the society of his day which he regarded with an ever growing horror,--a detestation which had reacted strongly on his literary and artistic tastes; he refused, as far as possible, to have anything to do with pictures and books whose subjects were in any way connected with modern existence.””

— J.-K. Huysmans

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