Mademoiselle De Maupin, Volume 1 (of 2)
1835

Mademoiselle De Maupin, Volume 1 (of 2)
1835
Translated by Burnham I. G.
The book that scandalized 1835 France and invented modern questions about desire. Gautier tells the story of Madeleine de Maupin, a woman of extraordinary beauty who escapes the boredom of convent life to roam the countryside disguised as a young man named Théodore. She inserts herself into the lives of d'Albert, a restless poet, and his mistress Rosette. What begins as a game of seduction becomes something far more unsettling: a vertiginous exploration of desire that refuses to choose between genders, between lovers, between the self and its possibilities. Gautier, the supreme esthete of French Romanticism, celebrates beauty and art with passionate intensity while asking how identity might be performed and desire might refuse the categories its world demands. This is one of the foundational texts of queer literature, a novel that posed questions about sexual ambiguity and the longing for completeness that still resonate.
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“To be beautiful, handsome, means that you possess a power which makes all smile upon and welcome you; that everybody is impressed in your favor and inclined to be of your opinion; that you have only to pass through a street or to show yourself at a balcony to make friends and to win mistresses from among those who look upon you. What a splendid, what a magnificent gift is that which spares you the need to be amiable in order to be loved, which relieves you of the need of being clever and ready to serve, which you must be if ugly, and enables you to dispense with the innumerable moral qualities which you must possess in order to make up for the lack of personal beauty.””
— Théophile Gautier
“What well-bred woman would refuse her heart to a man who had just saved her life? Not one; and gratitude is a short cut which speedily leads to love.””
— Théophile Gautier
“The years I have squandered in puerile excitement, in going hither and thither, in seeking to force nature and time, I ought to have spent in solitude and meditation, in endeavoring to make myself worthy of being loved.””
— Théophile Gautier
“Whatever may have been said of the satiety of pleasure and of the disgust which usually follows passion, any man who has anything of a heart and who is not wretchedly and hopelessly blasé feels his love increased by his happiness, and very often the best way to retain a lover ready to leave is to give one's self up to him without reserve.””
— Théophile Gautier
“One evening he was in his room, his brow pressing hard against the pane, looking, without seeing them, at the chestnut trees in the park, which had lost much of their russet-coloured foliage. A heavy mist obscured the distance, and the night was falling grey rather than black, stepping cautiously with its velvet feet upon the tops of the trees. A great swan plunged and replunged amorously its neck and shoulders into the smoking water of the river, and its whiteness made it show in the darkness like a great star of snow. It was the single living being that somewhat enlivened the lonely landscape.””
— Théophile Gautier
“I have often been charged with falsehood and hypocrisy, yet there lives not the man who would more gladly than I speak truthfully and lay bare his heart; but as I have not one idea, one feeling in common with the people who surround me, as the very first word I should speak truthfully would cause a general hue and cry, I have preferred to keep silent, or, if I do speak, to utter only stupid commonplaces which everyone has agreed to believe in.””
— Théophile Gautier
“Angels' kisses must be like this; true paradise is not in heaven but on the lips of one's beloved.””
— Théophile Gautier
“This apparent hurly-burly and disorder turn out, after all, to reproduce real life with its fantastic ways more accurately than the most carefully studied out drama of manners. Every man is in himself all humanity, and if he writes what occurs to him he succeeds better than if he copies, with the help of a magnifying glass, objects placed outside of him.””
— Théophile Gautier
“It is as absurd to say that a man is a drunkard because he describes an orgy or a debauchee because he recounts a debauch, as to pretend that a man is virtuous because he has written a moral book; every day we see the contrary. It is the character who speaks and not the author; the fact that his hero is an atheist does not make him an atheist; his brigands act and speak like brigands, but he is not therefore a brigand himself. At that rate it would be necessary to guillotine Shakespeare, Corneille, and all the tragic writers; they have committed more murders than Mandrin and Cartouche.””
— Théophile Gautier
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Gautier, Théophile. Mademoiselle De Maupin, Volume 1 (of 2). Lex, lex-books.com/book/mademoiselle-de-maupin-volume-1-of-2-02a6b7a4-cbc1-49b1-8e4a-1b706b5b04b0.Gautier, T. (1835). Mademoiselle De Maupin, Volume 1 (of 2). Lex. https://lex-books.com/book/mademoiselle-de-maupin-volume-1-of-2-02a6b7a4-cbc1-49b1-8e4a-1b706b5b04b0Gautier, Théophile. Mademoiselle De Maupin, Volume 1 (of 2). Lex. https://lex-books.com/book/mademoiselle-de-maupin-volume-1-of-2-02a6b7a4-cbc1-49b1-8e4a-1b706b5b04b0.








