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A Set of Six

1908

Joseph Conrad

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A Set of Six

Joseph Conrad

1908

British Literature, Novels, Short Stories

Conrad's lesser-known masterpiece gathers six tales of men pushed to extraordinary lengths by history, fate, and their own conscience. Here are no clean victories or simple villains, only the murky terrain of the human heart when the stakes are survival, honor, and meaning. Gaspar Ruiz, a giant of a man captured during a South American revolution, faces execution not for what he's done but for what others believe him capable of doing. A lieutenant named Santierra must choose between mercy and duty. Throughout these stories, Conrad examines what remains of a man when everything external, rank, cause, certainty, is stripped away. These are tales of revolution and aftermath, of characters caught in the machinery of historical forces, of moments where a single decision echoes across a lifetime. For readers who want Conrad's psychological depth but crave something beyond his famous novels, these six stories offer concentrated moral terror and beauty in equal measure.

Project Gutenberg

A collection of six narrative stories penned during the early 20th century. Each story delves into intense human experie...

Wikipedia

A Set of Six is a collection of six works of short fiction by Joseph Conrad, each appearing in literary journals between...

Goodreads

Certain individualities grow into fame through their vices and their virtues, or simply by their actions, which may have...

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A Set of Six
A Set of SixCurrent
Project Gutenberg · 339 pages
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“A duel, whether regarded as a ceremony in the cult of honour, or even when reduced in its moral essence to a form of manly sport, demands a perfect singleness of intention, a homicidal austerity of mood. [The duel]””

— Joseph Conrad

“It is a fact that the bitterest contradictions and the deadliest conflicts of the world are carried on in every individual breast capable of feeling and passion. [An anarchist]””

— Joseph Conrad

“Napoleon I., whose career had the quality of a duel against the wholeof Europe, disliked duelling between the officers of his army. The great military emperor was not a washbuckler, and had little respect for tradition.Nevertheless, a story of duelling, which became a legend in the army, runs through the epic of imperial wars. To the surprise and admiration of their fellows, two officers, like insane artists trying to gild refined gold or paint the lily, pursued a private contest through the years of universal carnage. They were officers of cavalry, and their connection with the high-spirited but fanciful animal which carries men into battle seems particularly appropriate. It would be difficult to imagine for heroes of this legend two officers of infantry of the line, for example, whose fantasy is tamed by much walking exercise, and whose valour necessarily must be of a more plodding kind. As to gunners or engineers, whose heads are kept cool on a diet of mathematics, it is simply unthinkable.The names of the two officers were Feraud and D'Hubert, and they were both lieutenants in a regiment of hussars, but not in the same regiment. [The duel]””

— Joseph Conrad

“I am saddened by the modern system of advertising. Whatever evidence it offers of enterprise, ingenuity, impudence, and resource in certain individuals, it proves to my mind the wide prevalence of that form of mental degradation which is called gullibility. [An anarchist]””

— Joseph Conrad

“Don't you know yet, he said, that an idle and selfish class loves to see mischief being made, even if it is made at its own expense? Its own life being all a matter of pose and gesture, it is unable to realize the power and the danger of a real movement and of words that have no sham meaning. It is all fun and sentiment. It is sufficient, for instance, to point out the attitude of the old French aristocracy towards the philosophers whose words were preparing the Great Revolution. Even in England, where you have some common-sense, a demagogue has only to shout loud enough and long enough to find some backing in the very class he is shouting at. You, too, like to see mischief being made. The demagogue carries the amateurs of emotion with him. Amateurism in this, that, and the other thing is a delightfully easy way of killing time, and feeding one's own vanity--the silly vanity of being abreast with the ideas of the day after to-morrow. Just as good and otherwise harmless people will join you in ecstasies over your collection without having the slightest notion in what its marvellousness really consists. [The informer]””

— Joseph Conrad

“He stooped over her, and her raised arms fell upon his shoulders. He lifted her up, steadied himself and began to walk, looking straight before him. "What are you doing?" she asked, feebly. "I am escaping from my enemies," he said, never once glancing at his light burden. "With me?" she sighed, helplessly. "Never without you," he said. "You are my strength.””

— Joseph Conrad

“Anarchists, I suppose, have no families--not, at any rate, as we understand that social relation. Organization into families may answer to a need of human nature, but in the last instance it is based on law, and therefore must be something odious and impossible to an anarchist.””

— Joseph Conrad

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