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T. J. Flanagan

T. J. Flanagan was a prominent landscape painter and educator from Northern Ireland, known for his evocative depictions of the Irish countryside. His artistic journey began in the mid-20th century, where he developed a distinctive style that combined traditional techniques with a modern sensibility. Flanagan's work often reflected the beauty and complexity of the natural world, capturing the changing light and atmospheric conditions of his native landscapes. His paintings were characterized by a vibrant use of color and a deep appreciation for the subtleties of nature, which earned him recognition both locally and internationally. In addition to his artistic contributions, Flanagan was dedicated to teaching and inspiring future generations of artists. He served as a mentor to many students, sharing his knowledge and passion for art. His legacy extends beyond his own work, as he played a significant role in fostering a vibrant artistic community in Northern Ireland. Flanagan's influence can be seen in the continued appreciation for landscape painting in the region, making him a key figure in the cultural landscape of Northern Ireland during his lifetime.

Wikipedia

Terence Philip Flanagan, MBE, DFA (15 August 1929 – 22 February 2011) was a landscape painter and teacher from Northern...

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The Really Hard Problem: Meaning in a Material World

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The Really Hard Problem: Meaning in a Material World

“[M]orality is not ‘‘something altogether new on the face of the Earth.’’ It is not an invention de novo. Homo sapiens, presumably like their extinct social ancestors, as well as certain closely related species, such as chimps and bonobos, possess instincts and emotions that are ‘‘protomoral,’’ by which I simply mean that we possess the germs, at least, of the virtues of sympathy, compassion, fidelity, and courage. There is no ‘‘skyhook" being imputed here. We didn’t create the relevant instincts and emotions. Natural selection did. We are endowed with these instincts and feelings thanks to a craning operation that began with unicellular organisms.””

The Really Hard Problem: Meaning in a Material World

“One surprisingly common idea is that science, in explaining some phenomenon, makes it something it isn’t or wasn’t. It tries to disclose that every thing is a ‘‘mere thing.’’ It takes the world as we know it and turns it into a mere collection of scientific objects. ‘Reductionism’ is the disparaging name for this phenomenon. Something like this view”

The Really Hard Problem: Meaning in a Material World

“And for all the talk about how Darwin’s theory is one of ‘‘red in tooth and claw,’’ it simply isn’t. Humans are designed to care about more than individual fitness.””

The Really Hard Problem: Meaning in a Material World

“[M]orality is not ‘‘something altogether new on the face of the Earth.’’ It is not an invention de novo. Homo sapiens, presumably like their extinct social ancestors, as well as certain closely related species, such as chimps and bonobos, possess instincts and emotions that are ‘‘protomoral,’’ by which I simply mean that we possess the germs, at least, of the virtues of sympathy, compassion, fidelity, and courage. There is no ‘‘skyhook" being imputed here. We didn’t create the relevant instincts and emotions. Natural selection did. We are endowed with these instincts and feelings thanks to a craning operation that began with unicellular organisms.””

The Really Hard Problem: Meaning in a Material World

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