
Richard Burton was a distinguished Welsh actor known for his powerful baritone voice and commanding stage presence. Born Richard Walter Jenkins Jr., he rose to prominence in the 1950s as a leading figure in Shakespearean theatre, captivating audiences with his performances, particularly in roles such as Hamlet. Critics hailed him as 'the natural successor to Olivier,' reflecting the high expectations placed upon him. Despite his immense talent, Burton's struggles with alcoholism and personal demons often overshadowed his career, leading some to view him as a performer who had not fully realized his potential. Throughout his career, Burton garnered critical acclaim and numerous accolades, including seven Academy Award nominations for films like My Cousin Rachel, Becket, and Who's Afraid of Virginia Woolf? His versatility extended beyond film; he also won a Tony Award for his role as King Arthur in the musical Camelot. Burton's legacy endures as one of the finest actors of his generation, remembered for his remarkable contributions to both stage and screen, and for the complex persona he embodied both on and off the stage.
“I am madly in love with her at the moment, as distinct from always loving her, and want to make love to her every minute.”
“Now her hair is like the nights of disunion and separation and her face like the days of union and delectation; She hath a nose like the edge of the burnished blade and cheeks like purple wine or anemones blood-red: her lips as coral and carnelian shine and the water of her mouth is sweeter than old wine; its taste would quench Hell's fiery pain. Her tongue is moved by wit of high degree and ready repartee: her breast is a seduction to all that see it (glory be to Him who fashioned it and finished it!); and joined thereto are two upper arms smooth and rounded; She hath breasts like two globes of ivory, from whose brightness the moons borrow light, and a stomach with little waves as it were a figured cloth of the finest Egyptian linen made by the Copts, with creases like folded scrolls, ending in a waist slender past all power of imagination; based upon back parts like a hillock of blown sand, that force her to sit when she would fief stand, and awaken her, when she fain would sleep, And those back parts are upborne by thighs smooth and round and by a calf like a column of pearl, and all this reposeth upon two feet, narrow, slender and pointed like spear-blades, the handiwork of the Protector and Requiter, I wonder how, of their littleness, they can sustain what is above them.”
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