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George Fleming

George Fleming was a British author and playwright known for his contributions to early 20th-century literature. He gained recognition for his series 'Vestigia,' which explored themes of human experience and societal change. The two volumes of 'Vestigia' showcase Fleming's ability to weave intricate narratives that reflect the complexities of life during a time of significant transformation in England. His works often delve into the psychological and emotional landscapes of his characters, offering readers a glimpse into the struggles and triumphs of the human condition. Fleming's literary significance lies in his exploration of the intersection between personal and societal narratives, making him a noteworthy figure in the context of his era. While he may not have achieved the same level of fame as some of his contemporaries, his writings contributed to the broader discourse of literature during a time marked by rapid change and modernity. His legacy endures through the thoughtful examination of human nature found in 'Vestigia' and his other works, which continue to resonate with those interested in the evolution of literary themes in the early 20th century.

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“A theatrical tribute to John Knox is one way of measuring his failure. John Kox was a strong advocate of the death penalty for actors, and consistent supporters of his doctrine should properly have strung up Tom Fleming, his impersonator, along with the rest of the cast of Robert Kemp's presented at the Gateway Theatre during October. The play and the man cannot both be justified, and an unrealistic element enters into a theatrical interpretation that is devised to do fulsome homage to a historical character without conceding that he was one of the Theatre's most savage enemies. This element of calculated inaccuracy was sustained in a piece that Christopher Small, writing in the , rightly observed presented us with the Knox of tradition, or sentiment, rather than the Knox of history. But if we are prepared to swallow the legend, Mr. Kemp succeeded in giving it theatrical life.””

Saltire Review 23, Winter 1961

“A theatrical tribute to John Knox is one way of measuring his failure. John Kox was a strong advocate of the death penalty for actors, and consistent supporters of his doctrine should properly have strung up Tom Fleming, his impersonator, along with the rest of the cast of Robert Kemp's presented at the Gateway Theatre during October. The play and the man cannot both be justified, and an unrealistic element enters into a theatrical interpretation that is devised to do fulsome homage to a historical character without conceding that he was one of the Theatre's most savage enemies. This element of calculated inaccuracy was sustained in a piece that Christopher Small, writing in the , rightly observed presented us with the Knox of tradition, or sentiment, rather than the Knox of history. But if we are prepared to swallow the legend, Mr. Kemp succeeded in giving it theatrical life.””

Saltire Review 23, Winter 1961

Books from the author

Vestigia.Vol. II.

George Fleming

Vestigia.Vol. I.

George Fleming

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