Andrew Brown was an American author and soldier, best known for his work 'Company K, Twentieth Regiment, Illinois Volunteer Infantry Roster and Record, April 24, 1861-July 16, 1865.' This significant historical document provides a detailed account of the soldiers who served in one of the Union's regiments during the American Civil War, offering insights into their experiences and contributions. Brown's meticulous record-keeping and narrative style not only serve as a tribute to the bravery of these men but also as a valuable resource for historians studying the Civil War era. In addition to his contributions as a chronicler of military history, Brown's work reflects the broader themes of sacrifice and camaraderie that characterized the Civil War experience. His dedication to preserving the memory of his fellow soldiers highlights the importance of personal narratives in understanding historical events. Through 'Company K,' Brown has left a lasting legacy that continues to inform and educate readers about the complexities of war and the lives of those who fought in it.
“As I brush my long, brown hair, the girl in the mirror with blue eyes too big for her head stares back at me. Wait...I don’t have blue eyes! Then I realize I haven’t been looking into the mirror. I’ve been staring at a poster of Kristen Stewart for five minutes. My own hair is actually fine.””
“I growl with frustration at my reflection in the mirror. Damn my hair – it’s fifty shades of fucked up. The situation I’m in is fifty shades of fucked up. I’m supposed to be studying for my finals; my roommate, Kathleen, should be the one fussing with her hair in front of the mirror right now. Instead, I’m trying to brush my hair into submission. Why is my hair so kinky? I need to stop sleeping with it wet, because it always ends up out of control. As I brush my long, brown hair, the girl in the mirror with blue eyes too big for her head stares back at me. Wait...I don’t have blue eyes! Then I realize I haven’t been looking into the mirror. I’ve been staring at a poster of Kristen Stewart for five minutes. My own hair is actually fine.””
“We think we know the ones we love. Our husbands, our wives. We know them - we are them, sometimes; when separated at a party we find ourselves voicing their opinions, their taste in food or books, telling an anecdote that never happened to us but happened to them. We watch their tics of conversation, of driving and dressing, how they touch a sugar cube to their coffee and stare as it turns white to brown, then drop it, satisfied, into the cup. I watched my own husband do that every morning; I was a vigilant wife.We think we know them. We think we love them. But what we love turns out to be a poor translation, a translation we ourselves have made, from a language we barely know. We try to get past it to the original, but we never can. We have seen it all. But what have we really understood? One morning we awaken. Beside us, that familiar sleeping body in the bed: a new kind of stranger. For me, it came in 1953. That was when I stood in my house and saw a creature merely bewitched with my husband's face. Perhaps you cannot see a marriage. Like those giant heavenly bodies invisible to the human eye, it can only be charted by its gravity, its pull on everything around it. That is how I think of it. That I must look at everything around it, all the hidden stories, the unseen parts, so that somewhere in the middle - turning like a dark star - it will reveal itself at last.””
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