Tuliliemen Tuttavana: Alkoholimuistelmia
Tuliliemen Tuttavana: Alkoholimuistelmia
Translated by Toivo Wallenius
A memoir written in the early 20th century. The work delves into the author’s relationship with alcohol and explores themes of addiction, societal norms, and personal reflection. The narrative centers around the narrator’s complex feelings toward alcohol, characterized by both contempt and allure, and his interactions with significant figures in his life, particularly Charmian, who represents a contrasting perspective on alcohol and its consequences. The opening of the memoir establishes a candid tone as the narrator reflects on a voting day in California, where he finds himself consuming alcohol prior to casting his ballot. He engages in a philosophical discussion with Charmian regarding women's suffrage and the implications of alcohol consumption, introducing the figure of ''Tuliliemi,'' which appears to symbolize alcohol itself, embodying both wisdom and destruction. The protagonist recounts formative experiences with alcohol from childhood to adolescence, highlighting the gradual shift from aversion to an eventual, reluctant acceptance and a growing dependency, all while maintaining a sense of critique towards societal views on drinking and its effects on personal identity.
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“Oh!--and I speak out of later knowledge--Heaven forefend me from the most of the average run of male humans who are not good fellows, the ones cold of heart and cold of head who don't smoke, drink, or swear, or do much of anything else that is brase, and resentful, and stinging, because in their feeble fibres there has never been the stir and prod of life to well over its boundaries and be devilish and daring. One doesn't meet these in saloons, nor rallying to lost causes, nor flaming on the adventure-paths, nor loving as God's own mad lovers. They are too busy keeping their feet dry, conserving their heart-beats, and making unlovely life-successes of their spirit-mediocrity.””
— Jack London
“The fortunate man is the one who cannot take more than a couple of drinks without becoming intoxicated. The unfortunate wight is the one who can take many glasses without betraying a sign; who must take numerous glasses in order to get the ‘kick’.””
— Jack London
“It is nothing new, these vital lies men tell themselves, muttering and mumbling them like charms and incantations against the powers of Night. The voodoos and medicine men and the devil-devil doctors were the fathers of metaphysics. Night and the Noseless One were ogres that beset the way of light and life. And the metaphysicians would win by if they had to tell lies to do it. They were vexed by the brazen law of the Ecclesiast that men die like the beasts of the field and their end is the same. Their creeds were their schemes, their religions their nostrums, their philosophies their devices, by which they half-believed they would outwit the Noseless One and the Night. "Bog-lights, vapours of mysticism, psychic overtones, soul orgies, wailings among the shadows, weird gnosticisms, veils and tissues of words, gibbering subjectivisms, gropings and maunderings, ontological fantasies, pan-psychic hallucinations”
— Jack London
“Drink," says the White Logic. "The Greeks believed that the gods gave them wine so that they might forget the miserableness of existence.””
— Jack London
“John Barleycorn's inhibition rises like a wall betweenone's immediate desires and long-learned morality.””
— Jack London
“Is this flesh of yours you? Or is it an extraneous something possessed by you? Your body”
— Jack London
“To man, alone among the animals, has been given the awful privilege of reason. Man, with his brain, can penetrate the intoxicating show of things and look upon the universe brazen with indifference toward him and his dreams.””
— Jack London
“John Barleycorn makes his appeal to weakness and failure, to weariness and exhaustion. He is the easy way out. And he is lying all the time. He offers false strength to the body, false elevation to the spirit, making things seem what they are not and vastly fairer than what they are.””
— Jack London
“Let the doctors of all the schools condemn me," White Logic whispers as I ride along. "What of it? I am truth. You know it. You cannot combat me. They say I make for death. What of it? It is truth. Life lies in order to live. Life is a perpetual lie-telling process. Life is a mad dance in the domain of flux, wherein appearances in mighty tides ebb and flow, chained to the wheels of moons beyond our ken. Appearances are ghosts. Life is ghost land, where appearances change, transfuse, permeate each the other and all the others, that are, that are not, that always flicker, fade, and pass, only to come again as new appearances, as other appearances. You are such an appearance, composed of countless appearances out of the past. All an appearance can know is mirage. You know mirages of desire. These very mirages are the unthinkable and incalculable congeries of appearances that crowd in upon you and form you out of the past, and that sweep you on into dissemination into other unthinkable and incalculable congeries of appearances to people the ghost land of the future. Life is apparitional, and passes. You are an apparition. Through all the apparitions that preceded you and that compose the parts of you, you rose gibbering from the evolutionary mire, and gibbering you will pass on, interfusing, permeating the procession of apparitions that will succeed you." And of course it is all unanswerable, and as I ride along through the evening shadows I sneer at that Great Fetish which Comte called the world. And I remember what another pessimist of sentiency has uttered: "Transient are all. They, being born, must die, and, being dead, are glad to be at rest.””
— Jack London
