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The Weary Blues

1926

Langston Hughes

The Weary Blues

The Weary Blues

Langston Hughes

1926

American Literature, Poetry

The Weary Blues, published in 1926, is the first poetry collection by Langston Hughes, a central figure of the Harlem Renaissance. The collection captures the African American experience through themes of struggle, joy, and identity, often infused with the rhythms of jazz and blues music. Notable poems such as 'The Negro Speaks of Rivers' and 'Mother to Son' reflect personal and societal issues, showcasing Hughes's powerful voice and emotional depth. This work is significant for its role in bringing African American voices to the forefront of American literature during a transformative era.

Project Gutenberg

A collection of poetry written in the early 20th century, specifically during the 1920s. The book emphasizes the experie...

Wikipedia

"The Weary Blues" is a poem by American poet Langston Hughes. Written in 1925, "The Weary Blues" was first published in...

Goodreads

A beautiful new edition of this beloved poet's first collection, originally published in 1926 when he was just twenty-fo...

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The Weary Blues
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“Bring me all of your dreams, You dreamers. Bring me all of your Heart melodies That I may wrap them In a blue cloud-cloth Away from the too rough fingers Of the world.””

— Langston Hughes

“Now, In June, When the night is a vast softness Filled with blue stars, And broken shafts of moon-glimmer Fall upon the earth, Am I too old to see the fairies dance? I cannot find them any more.””

— Langston Hughes

“The lazy, laughing SouthWith blood on its mouth.The sunny-faced South,    Beast-strong,    Idiot-brained.The child-minded SouthScratching in the dead fire’s ashesFor a Negro’s bones.    Cotton and the moon,    Warmth, earth, warmth,    The sky, the sun, the stars,    The magnolia-scented South.Beautiful, like a woman,Seductive as a dark-eyed whore,    Passionate, cruel,    Honey-lipped, syphilitic”

— Langston Hughes

“I am a Negro:    Black as the night is black,    Black like the depths of my Africa.I’ve been a slave:    Cæsar told me to keep his door-steps clean.    I brushed the boots of Washington.I’ve been a worker:    Under my hand the pyramids arose.    I made mortar for the Woolworth Building.I’ve been a singer:    All the way from Africa to Georgia    I carried my sorrow songs.    I made ragtime.I’ve been a victim:    The Belgians cut off my hands in the Congo.    They lynch me now in Texas.I am a Negro:    Black as the night is black,    Black like the depths of my Africa.””

— Langston Hughes

“We buried him high on a windy hill,But his soul went out to sea.I know, for I heard, when all was still,His sea-soul say to me:Put no tombstone at my head,For here I do not make my bed.Strew no flowers on my grave,I’ve gone back to the wind and wave.Do not, do not weep for me,For I am happy with my sea.””

— Langston Hughes

“The calm, Cool face of the river Asked me for a kiss.””

— Langston Hughes

“The sea is a wilderness of waves, A desert of water. We dip and dive, Rise and roll, Hide and are hidden On the sea. Day, night, Night, day, The sea is a desert of waves, A wilderness of water.””

— Langston Hughes

“Sea CalmHow still,How strangely stillThe water is today.It is not goodFor waterTo be so still that way.””

— Langston Hughes

“Mexican Market WomanThis ancient hagWho sits upon the groundSelling her scanty waresDay in, day round,Has known high wind-swept mountains,And the sun has madeHer skin so brown.””

— Langston Hughes

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