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Rolling Stones

1912

O. Henry

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Rolling Stones

O. Henry

1912

American Literature, Humour, Short Stories

Few writers have understood the American vernacular as intimately as O. Henry, and this final collection captures him at his most reckless and tender. 'Rolling Stones' gathers stories that span the full emotional spectrum of his talent: con men who discover unexpected conscience, lovers separated by circumstance who find each other in the last place they'd look, and ordinary people caught in extraordinary moments where a single decision rewrites their futures. The title story introduces Murray, a condemned man in his final hours, whose thoughts drift through regret and memory while his cellmate Bonifacio cracks dark jokes in the next bunk. It's quintessential O. Henry: laughter pressed up against mortality, wit serving as both armor and admission. The collection also includes unpublished material and letters that reveal the man behind the pseudonym, adding another layer for devoted readers. These are stories designed to be read in a single sitting, their twist endings arriving like small explosions that make you want to immediately flip back to the beginning to see how you missed the clues. O. Henry wrote about hope as a stubborn, irrational force, and these tales prove he was right to believe in it.

Project Gutenberg

A collection of short stories written in the early 20th century. This final volume draws from O. Henry's extensive body...

Wikipedia

Rolling Stone is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in Sa...

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Rolling Stones
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Project Gutenberg · 287 pages
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“I wanted to paint a picture some day that people would stand before and forget that it was made of paint. I wanted it to creep into them like a bar of music and mushroom there like a soft bullet.””

— O. Henry

“Oh, I know what to do when I see victuals coming toward me in little old Bagdad-on-the-Subway. I strike the asphalt three times with my forehead and get ready to spiel yarns for my supper.””

— O. Henry

“We still say ‘the apple of the eye’ when we wish to describe something superlatively precious.””

— O. Henry

“Oh, come off your perch!" said the other man, who wore glasses. "Your premises won't come out in the wash. You wind-jammers who apply bandy-legged theories to concrete categorical syllogisms send logical conclusions skallybootin' into the infinitesimal ragbag. You can't pull my leg with an old sophism with whiskers on it.””

— O. Henry

“But now he was little more than a whimpering oyster led to be devoured on the sands of a Southern sea by the artful walrus, Circumstance, and the implacable carpenter, Fate.””

— O. Henry

“That sounds self-indulgent and gratifying without vulgar ostentation,” says I; “and I don’t see how money could be better invested. Give me a cuckoo clock and a Sep Winner’s Self-Instructor for the Banjo, and I’ll join you.””

— O. Henry

“Why, I've seen Kentuckians who hated whiskey, Virginians who weren't descended from Pocahontas, Indianians who hadn't written a novel, Mexicans who didn't wear velvet trousers with silver dollars sewed along the seams, funny Englishmen, spendthrift Yankees, cold-blooded Southerners, narrow- minded Westerners, and New Yorkers who were too busy to stop for an hour on the street to watch a one-armed grocer's clerk do up cranberries in paper bags. Let a man be a man and don't handicap him with the label of any section.””

— O. Henry

“For, even the preachers have begun to tell us that God is radium, or ether or some scientific compound, and that the worst we wicked ones may expect is a chemical reaction.””

— O. Henry

“But Elsie thought she could find it. She had heard that policemen, when politely addressed, or thumbscrewed by an investigation committee, will give up information and addresses.””

— O. Henry

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