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Our People: From the Collection of "Mr. Punch

1881

Unknown

Our People: From the Collection of "Mr. Punch

Our People: From the Collection of "Mr. Punch

Unknown

1881

British Literature, Humour

A richly illustrated time capsule of Victorian England, this 1881 collection gathers the wit and wisdom of Mr. Punch's celebrated gallery of social types. Each page offers a sharp-eyed caricature: the pompous clergyman, the upwardly-mobile tradesman, the earnest young gentleman just back from the Grand Tour, and countless others who populated the peculiar world of late nineteenth-century England. The humor operates on two levels, surface comedy about manners and miscommunication, and beneath it, a quietly devastating critique of class pretension and social climbing. These are not mere jokes; they are sociological documents rendered in line and ink, capturing the absurd theater of English life with affectionate precision. For readers curious about how Victorians saw themselves (and perhaps how we still recognize them), this collection remains remarkably fresh. The satire cuts both ways, mocking the snob and the pretender alike, delivered with the light touch that made Punch the most influential humor magazine of its era.

Project Gutenberg

A collection of illustrated sketches, published during the late 19th century. It features a series of humorous and satir...

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Now a TV series on FOX starring Morris Chestnut, Yaya DaCosta, Nadine Ellis, and Joe Morton. "Fascinating. . . . [Graham...

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Our People: From the Collection of "Mr. Punch
Our People: From the Collection of "Mr. PunchCurrent
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“And this is why I have concluded that although every racial, ethnic, and religious group in the United States claims to want a piece of the American dream, there is no group that apologizes more for its success than black people.””

— Unknown

“integrity of a black millionaire rap star, basketball player, or TV performer will never be questioned. But an equally wealthy black professional with an upper-class background and a good education will earn the label of a “sellout” or a “Negro trying to be white.””

— Unknown

“Today, because of its faculty, its wealth, and its ties to the large Atlanta University system, Spelman is still able to compete successfully for the same students who are being accepted by Wellesley, Smith, Bryn Mawr, the other Seven Sisters colleges, and Ivy League universities. At Spelman, unlike most women’s colleges, more than 80 percent of its faculty hold doctorates, and more than a third of the students major in mathematics, engineering, or the sciences. When I encounter Spelman women of my own generation or of my mother’s generation, I recognize a sisterhood and a camaraderie that I have never seen among black women who attended predominately white women’s colleges or who have joined sororities at other historically black schools. Because it very much identifies itself to the world and to its students as the ultimate college for black women, these students and alumni are fiercely loyal to, and respectful of, this Atlanta institution.””

— Unknown

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