No Name
1862

Two sisters. One devastating secret. In Victorian England, Magdalen and Norah Vanstone have always known themselves as ladies of Combe-Raven, until their parents' deaths reveal the truth: they were born out of wedlock, and the law sees them as Nobody's Children. Without legal claim to their home or inheritance, they're cast out into a merciless world. Norah accepts her fate with quiet resignation, becoming a governess. But Magdalen refuses to surrender. Armed with beauty, theatrical nerve, and an ally named Captain Wragge (a gloriously unscrupulous fraud), she wages war against the system that stole everything from her. Her plan: seduce and marry the very man she despises, reclaiming what should have been hers. Written between The Woman in White and The Moonstone, this is Collins at his most socially daring, exposing the hypocrisy of Victorian morality with dark wit and relentless tension. Magdalen is neither hero nor villain but something far more interesting: a woman who refuses to be victimized, even when her methods damn her.
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“Nothing in this world is hidden forever. The gold which has lain for centuries unsuspected in the ground, reveals itself one day on the surface. Sand turns traitor, and betrays the footstep that has passed over it; water gives back to the tell-tale surface the body that has been drowned. Fire itself leaves the confession, in ashes, of the substance consumed in it. Hate breaks its prison-secrecy in the thoughts, through the doorway of the eyes; and Love finds the Judas who betrays it by a kiss. Look where we will, the inevitable law of revelation is one of the laws of nature: the lasting preservation of a secret is a miracle which the world has never yet seen.””
— Wilkie Collins
“Lo que no está en mi corazón, no lo escribirá mi pluma.””
— Wilkie Collins
“Men, being accustomed to act on reflection themselves, are a great deal too apt to believe that women act on reflection, too. Women do nothing of the sort. They act on impulse; and, in nine cases out of ten, they are heartily sorry for it afterward.””
— Wilkie Collins
“Magdalen drew further and further back. A twig from a tree near caught her cloak; she turned petulantly, broke it off, and threw it on the ground. "What right have you to question me?" she broke out on a sudden. "Whether I like Frank, or whether I don't, what interest is it of yours?" As she said the words, she abruptly stepped forward to pass her sister and return to the house.””
— Wilkie Collins
“May I ask a question, doctor? Is she pining in this close place, too? When her sister comes, will her sister take her away?””
— Wilkie Collins
“The sad truth is, I am a martyr to my own sense of order. All untidiness, all want of system and regularity, cause me the acutest irritation. My attention is distracted, my composure is upset;””
— Wilkie Collins
“accustomed to lure him into speaking of himself. But she put them far less spontaneously, far less adroitly, than usual. Her one all-absorbing anxiety in entering that room was not an anxiety to be trifled with.””
— Wilkie Collins
“Nothing in the world is hidden forever.””
— Wilkie Collins
“Perhaps I have dwelt too long already on the little story of our parting from home? I can only say, in excuse, that my heart is full of it; and what is not in my heart my pen won't write.””
— Wilkie Collins
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Collins, Wilkie. No Name. Lex, lex-books.com/book/no-name-a33bf120-2e73-43ce-9675-bcb6f3e3960f.Collins, W. (1862). No Name. Lex. https://lex-books.com/book/no-name-a33bf120-2e73-43ce-9675-bcb6f3e3960fCollins, Wilkie. No Name. Lex. https://lex-books.com/book/no-name-a33bf120-2e73-43ce-9675-bcb6f3e3960f.





















