A provocative 1913 novel set among the artistic and intellectual elite at their club, where painters, illustrators, and critics debate the eternal question: does marriage kill creativity? The characters are men who have made art their religion, and the women in their lives their muses or their martyrdoms. When Britt Herkimer tells the story of his friend Clyde Rantoul, the consequences of choosing domesticity over artistic devotion unfold with quiet devastation. The title Murder in Any Degree suggests the gradations of compromise, the slow suffocation of ambition, the small surrenders that add up to the death of a vision. Johnson's novel captures a specific historical moment when the modernist artist was still wrestling with the old world order of marriage and the new world demand for absolute creative freedom. It's a period document about gender, art, and the anxieties of creation, written with the kind of earnest intellectual seriousness that early 20th-century literary fiction demanded. For readers interested in how earlier generations thought about the artist figure and the costs of loving and living.
