Mammonart: An Essay in Economic Interpretation, written by Upton Sinclair and published in 1925, examines the interplay between art and economics. Sinclair argues that artists are often influenced and controlled by socioeconomic structures and the ruling classes, using a fictional character named Ogi to illustrate the evolution of artistic expression. The essay critiques how art can serve as propaganda, reflecting the interests of those in power rather than the broader society, and highlights the socio-political implications of artistic creation.
