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Autumn Leaves: Original Pieces in Prose and Verse

1947

Unknown

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Autumn Leaves: Original Pieces in Prose and Verse

Unknown

1947

American Literature, Novels, Poetry

Autumn Leaves: Original Pieces in Prose and Verse is a collection of literary works published in 1947, featuring both prose and poetry that reflect themes of human emotions and nature, often set in New England. The opening story, 'Christmas Revived,' introduces Nathan Stoddard, a young saddler who encounters a mystical gathering on Christmas morning, setting the tone for the imaginative pieces that follow. This compilation not only aims to entertain but also supports a charitable cause, making it a notable contribution to American literature.

Project Gutenberg

A collection of literary works written in the mid-19th century. This compilation includes original pieces both in prose...

Goodreads

This is a town where the shoes in the window always fit, where you can buy a love potion at the corner shop, and where t...

3.5(3K)

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Autumn Leaves: Original Pieces in Prose and Verse
Autumn Leaves: Original Pieces in Prose and VerseCurrent
Project Gutenberg · 142 pages
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“But there are as many different kinds of love as there are people in the world.””

— Unknown

“When she was younger, Ellie used to believe that her invisibility was a metaphor for something else, assuming it was her awkwardness, her fear of saying or doing the wrong thing. She had thought as she grew older, more confident, wiser, she would outgrow this not being noticed. But lately, Ellie really felt like a ghost. She would be in a place, but not really there. People looked through her, past her. Her invisibility had taken on a life of its own. It wasn't a metaphor anymore, or a defense mechanism or eccentric little tic. She was actually invisible. At least, that was how it felt to her. Ellie wondered whether her parents were to blame. They were, after all, children of the sixties who had met at a love-in or lie-down or something of that sort, about which Ellie knew little except that a lot of drugs had been involved. Could Ellie's lack of physical presence be a genetic mutation caused by acid or mushrooms? Ellie grew up on their hippie commune among the highest, densest redwoods, where they dug their hands deep into the soil and grew their own food, made their own clothes. So perhaps it is there that the mystery is solved. Ellie indeed was a child of the earth, a baby of beiges and taupes and browns and muted greens. Nature doesn't scream and shout, demanding constant attention, and neither did Ellie. Maybe her invisibility was just her blending right in.””

— Unknown

“No one could deny that his face matched the sexy timbre of his voice; he was strikingly beautiful, with shaggy black hair and piercing eyes. A little bit of his mouth always remained open, even when his lips were closed in a tiny, perfect diamond shape.He was two men: there was the one she saw in interviews- goofy, self-effacing, and gifted with the ability to make fun of himself and his profession, which put everyone at ease- and then there was the other Callum, the one on stage. Magnetic, dark, guarded, as if he was holding something back, as if it would simply be too much to give his purest and most authentic self to the audience.””

— Unknown

“Ellie made her way up the familiar twist of Wicker Road. Even with just the porch light on, her house looked inviting and settled. The single oak that took up the majority of her front lawn was already beginning to collect the first measures of snow. She quickly walked up the three steps and went in.There was nothing grandiose about the place, but it was a perfect fit for Ellie. The house looked a little like an old English cottage. It was tiny, reminding her of a dollhouse. Which suited her perfectly. Any bigger and the place would have echoed, and Ellie would have been aware of how acutely alone she was. She filled the walls with various pieces of artwork, and her queen-sized bed with pillows she made from pieces of vintage fabric. There were two fireplaces and wall-to-wall hardwood floors with perfectly worn-in wainscoting. The back rooms were all windows that could be opened up so it seemed almost a part of the garden. Ellie's study was lined with bookshelves on every wall except the alcove, in front of which she had placed an old secretary. She even had a small balcony off the master that looked over the garden and was a wonderful place to read.””

— Unknown

“Nina stood there, in all her former beauty queen pageant glory, tall and slim and panther-like. Nina's dark hair always seemed to capture whatever available light there was, and her skin, much to Ellie's annoyance, was flawless. Today she was wearing a black wraparound dress that accentuated every curve and parted in just the right place to show off the best part of her legs.””

— Unknown

“But I will tell you this: no true happiness can ride on the back of someone else’s pain.””

— Unknown

“She's so pretty, isn't she? Beautiful, really. That prefect skin, those long legs. And that hair! It's so black. Black as a raven's feather, that's what my mother used to say. Do you know, Ellie, what a group of ravens is called? [...] It's called an Unkindness. Isn't that strange? An Unkindness. Well... it's something to think about.””

— Unknown

“Love changes course and flies away sometimes, that was all.””

— Unknown

“Sometimes we don't question things. Sometimes we just accept them. That's faith, Piper, and that's what's required here.””

— Unknown

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