A Thousand and One Afternoons in Chicago
1922
A Thousand and One Afternoons in Chicago, published in 1922 by Ben Hecht, is a collection of literary sketches that vividly portray the life and struggles of Chicago's inhabitants in the early 20th century. Through poignant vignettes, Hecht, a journalist and writer, seeks to transcend traditional reporting by revealing the deeper truths of urban existence. The work reflects Hecht's dissatisfaction with mere publicity and his ambition to create a new form of literary journalism that captures the essence of city life.
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“Tell it, Fanny. About the crowds, streets, buildings, lights, about the whirligig of loneliness, about the humpty-dumpty clutter of longings. And then explain about the summer parks and the white snow and the moon window in the sky. Throw in a poignantly ironical dissertation on life, on its uncharted aimlessness, and speak like Sherwood Anderson about the desire that stir in the heart. Speak like Remy de Gourmont and Dostoevsky and Stevie Crane, like Schopenhauer and Dreiser and Isaiah; speak like all the great questioners whose tongues have wagged and whose hearts have burned with questions. He will listen bewilderedly and, perhaps, only perhaps, understand for a moment the dumb pathos of your eyes.””
— Ben Hecht
“We have in Europe a peculiar situation," he says. "England and France, although hitched to the same wagon, pull in different directions. England must build up her trade. France must build up her morale. These involve different efforts. To build up her trade England must re-establish Germany. To build up her morale France must see that Germany is not re-established and that it remains forever a beaten enemy.””
— Ben Hecht
“Do you want to see the dead warriors come back, the fallen army come back, crawling out of its million coffins and walking back across the sea and across the prairie; the waxen face of youth come out of its million graves and its uniform hanging from its limp frame? Do you want to see the war dead, the young ones ripped to pieces in the trenches standing like tired beggars at your back door, dead hands and dead eyes and wailing softly: "I was so young. I died so soon. All of us from all the countries who died so soon, we grow lonely on the other side. Ah, my unlived days! My uneaten bread! My uncounted years! They lie in a little corner and nobody comes to them!””
— Ben Hecht
“It rains. The arc lamps gleam through the monotonous downpour. One can only stand and dream … how charming people are since they are alive … how charming the rain is and the night. … And how foolish arguments are … how banal are these cerebral monsters who pose as iconoclasts and devote themselves grandiloquently and inanely to disturbing the paper masks.””
— Ben Hecht
“But in this rain at night they rest from their perfections, they lay aside for a few hours their paper masks. And one can contemplate them with a curious absence of indignation or criticism. There is something warm and intimate about the vision of many people sleeping in the beds above the darkened store fronts of this little street. Their bodies have been in the world so long”
— Ben Hecht
“One becomes aware of such curious facts in the rain at night and one's iconoclasm, like a broken umbrella, hangs useless from one's hand. Tomorrow these people who are now asleep will be stirring, giving vent to outrageous ideas, championing incredulous banalities, prostrating themselves before imbecile superstitions. Tomorrow they will rise and begin forthwith to lie, quibble, cheat, steal, fourflush and kill, each and all inspired by the solacing monomania that every one of their words and gestures is a credible variant of perfection. Yes, tomorrow they will be as they were yesterday.””
— Ben Hecht
“There are at least two hundred of them. And if you should read them all through at one sitting you would get a strange sense that this caricature of the hooded face was talking to you. That the Queer One who shuffles through the streets was sitting beside you and whispering marvelous things into your ear.””
— Ben Hecht
“The story of the odd ones is perhaps no more interesting than the story that might be written of the letters that "tip them off." A story here, of the harried, buried little figures that make up the swarm of the city and of the way they glimpse mystery out of the corners of their eyes. Of the way they pause for a moment on their treadmill to wonder about the silent, shuffling caricature with its hooded face and its thin fingers groping under its heavy black cloak.””
— Ben Hecht
“They continue”
— Ben Hecht
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<a href="https://lex-books.com/book/a-thousand-and-one-afternoons-in-chicago-d9fc7637-cc94-4f8f-80de-2a81648fa412"><img src="https://lex-books.com/badges/read-on-lex.svg" alt="Read A Thousand and One Afternoons in Chicago by Ben Hecht free on Lex" width="160" height="40"></a>[](https://lex-books.com/book/a-thousand-and-one-afternoons-in-chicago-d9fc7637-cc94-4f8f-80de-2a81648fa412)[url=https://lex-books.com/book/a-thousand-and-one-afternoons-in-chicago-d9fc7637-cc94-4f8f-80de-2a81648fa412][img]https://lex-books.com/badges/read-on-lex.svg[/img][/url]Read A Thousand and One Afternoons in Chicago by Ben Hecht free on Lex: https://lex-books.com/book/a-thousand-and-one-afternoons-in-chicago-d9fc7637-cc94-4f8f-80de-2a81648fa412Cite this book
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Hecht, Ben. A Thousand and One Afternoons in Chicago. Lex, lex-books.com/book/a-thousand-and-one-afternoons-in-chicago-d9fc7637-cc94-4f8f-80de-2a81648fa412.Hecht, B. (1922). A Thousand and One Afternoons in Chicago. Lex. https://lex-books.com/book/a-thousand-and-one-afternoons-in-chicago-d9fc7637-cc94-4f8f-80de-2a81648fa412Hecht, Ben. A Thousand and One Afternoons in Chicago. Lex. https://lex-books.com/book/a-thousand-and-one-afternoons-in-chicago-d9fc7637-cc94-4f8f-80de-2a81648fa412.







