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A Romance of Two Worlds: A Novel

1886

Marie Corelli

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A Romance of Two Worlds: A Novel

Marie Corelli

1886

British Literature, Novels, Romance, Science-Fiction & Fantasy

Marie Corelli arrived like a cultural earthquake with this, her debut novel, and would go on to become the most widely read novelist of the Victorian era, outselling Conrad, Hardy, and Doyle at their peaks. The story charts the desperate flight of a young woman imprisoned by insomnia and melancholia, a spirit slowly suffocating in gray London until she escapes to the sun-soaked Riviera. There she encounters Raffaello Cellini, a mesmerizing artist whose mysterious elixir awakens something dormant within her. What follows is part romance, part spiritual metamorphosis, part philosophical meditation on the boundaries between science and the supernatural. Corelli captures something raw and urgent about late Victorian spiritual hunger, that longing for transcendence beyond the material world. The prose is operatic, the emotions large, the symbolism unsubtle. It is melodrama at its most magnificent. And yet it speaks across the centuries to something timeless: the desperate need to be saved from ourselves, to find someone who offers not merely love but literal rebirth.

Project Gutenberg

A work of fiction most likely written during the late 19th century. This novel intricately weaves themes of spirituality...

Goodreads

Mary Mackay was a British novelist who began her career as a musician, adopting the name Marie Corelli for her billing....

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A Romance of Two Worlds: A Novel
A Romance of Two Worlds: A NovelCurrent
Project Gutenberg · 395 pages
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“No one is contented in this world, I believe. There is always something left to desire, and the last thing longed for always seems the most necessary to happiness.””

— Marie Corelli

“So you are tired of your life, young man! All the more reason have you to live. Anyone can die. A murderer has moral force enough to jeer at his hangman. It is very easy to draw the last breath. It can be accomplished successfully by a child or a warrior. One pang of far less anguish than the toothache, and all is over. There is nothing heroic about it, I assure you! It is as common as going to bed; it is almost prosy. is heroism, if you like; but death is a mere cessation of business. And to make a rapid and rude exit off the stage before the prompter gives the sign is always, to say the least of it, ungraceful. Act the part out, no matter how bad the play. What say you?””

— Marie Corelli

“Roses, roses! An interminable chain of these royal blossoms, red and white, wreathed by the radiant fingers of small rainbow-winged creatures as airy as moonlight mist, as delicate as thistledown! They cluster round me with smiling faces and eager eyes; they place the end of their rose-garland in my hand, and whisper, "FOLLOW!" Gladly I obey, and hasten onward. Guiding myself by the fragrant chain I hold, I pass through a labyrinth of trees, whose luxuriant branches quiver with the flight and song of birds. Then comes a sound of waters; the riotous rushing of a torrent unchecked, that leaps sheer down from rocks a thousand feet high, thundering forth the praise of its own beauty as it tosses in the air triumphant crowns of silver spray. How the living diamonds within it shift, and change, and sparkle! Fain would I linger to watch this magnificence; but the coil of roses still unwinds before me, and the fairy voices still cry, "FOLLOW!" I press on. The trees grow thicker; the songs of the birds cease; the light around me grows pale and subdued. In the far distance I see a golden crescent that seems suspended by some invisible thread in the air. Is it the young moon? No; for as I gaze it breaks apart into a thousand points of vivid light like wandering stars. These meet; they blaze into letters of fire. I strain my dazzled eyes to spell out their meaning. They form one word”

— Marie Corelli

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