
Lee Mortimer was an American journalist and author known for his sensational exposés of the underbelly of American cities during the mid-20th century. His notable works, 'Washington Confidential' and 'New York: Confidential!', provided readers with a gritty, behind-the-scenes look at political corruption and the seedy side of urban life. These books were groundbreaking in their candid portrayal of the power dynamics and moral ambiguities that characterized American society at the time. Mortimer's writing style was marked by a blend of journalistic rigor and narrative flair, making his works both informative and engaging. He became a prominent figure in the genre of investigative journalism, influencing subsequent generations of writers and journalists to explore similar themes of corruption and societal decay. His contributions to literature and journalism helped to shape public discourse around issues of ethics and accountability in government and urban environments, leaving a lasting legacy in the field of non-fiction writing.
“She had an absurd meeting, arranged by Violet Trefusis and Raymond Mortimer, with Violet’s mother Mrs Keppel, the ex-mistress of Edward VII. Both had anticipated having nothing to say to each other, but (Violet remembered) they did find one congenial subject: ‘Personally I’ve always been in favour of six cylinders though I know some people think four are less trouble.’ ‘My dear Mrs Keppel, you wouldn’t hesitate if you saw the new Lanchester with the fluid fly-wheel!’ Neither (Violet Trefusis commented) knew a thing about motors, but both thought ‘they were on safe ground’.20 It was just the sort of anecdote Lytton would have enjoyed.””
“(El lector) "No mejorará si lo único que lee son obras dentro de los límites de su capacidad. Por eso debe acometer otras que le superen, pues sólo con ellas se ensancha la mente, la única forma de aprender.””
“Reacher nodded. He said, “Anything else you can tell me?” Mortimer went quiet so long Reacher thought maybe he had fallen into a geriatric coma. Or died. But then he moved. He raised the same bent and bony hand. This time not a warning. This time an appeal for attention. Like a comedian calming a crowd, ahead of a punch line.””
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