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Henry S. Whitehead

Henry S. Whitehead was an American author known for his contributions to the genre of supernatural fiction. Born in 1882, he spent much of his life in the Caribbean, particularly in the Virgin Islands, where the local culture and folklore deeply influenced his writing. Whitehead's works often blended elements of horror and the supernatural with rich, atmospheric settings, drawing on the unique traditions and beliefs of the islands. His most notable stories include 'The Willows' and 'The Snare,' which showcase his ability to evoke a sense of dread and mystery through vivid descriptions and complex characters. Whitehead was also a contemporary of H.P. Lovecraft and is often associated with the weird fiction movement. His stories, while not as widely recognized as Lovecraft's, contributed significantly to the genre, particularly in their exploration of the uncanny and the unknown. Whitehead's legacy endures through his influence on later writers of supernatural fiction, and his works continue to be appreciated for their atmospheric quality and cultural depth. He passed away in 1932, leaving behind a body of work that remains a vital part of early 20th-century American literature.

Wikipedia

Henry St. Clair Whitehead was an American Episcopal minister and author of horror, some non fiction and fantasy fiction.

Written by Lex AI

Famous Quotes

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“The warm, pulsing breath of the sweet grass surged through the open windows in a fashion to turn the head of a stone image. It was exotic, too sweet, exaggerated, like everything else in this climate! Cornelis turned over again, seeking a cool place on the broad bed. Then he sat up in bed, impatiently throwing off the sheet. A thin streak of moonlight edged the bed below his feet. He slipped out of bed, walked over to a window. He leaned out, looking down at the acres of undulating grass. There seemed to be some strange, hypnotic rhythm to it, some vague magic, as it swayed in the night wind. The scent poured over him in great, pulsing breaths. He shut his eves and drew it in, abandoning his senses to its effect.("Sweet Grass")””

Jumbee and Other Uncanny Tales

“When we walk to church on Sunday morning down Broadway,” her mother said, cheeks red in her light brown skin, “you see the dirty men with their shirts all out their pants, drinking the devil’s liquor and stinking to high heaven when good people are going to church. Do you know what they’ve been doing all night?” “No, ma’am.” She did know, because now this discipline had wound its way down the hills away from the music and into a familiar body, and Jennifer was well acquainted with its currents and undertow. She knew all about the good-for-nothing niggers who passed bottles back and forth and were an eyesore. But it seemed best to feign ignorance. “Staying up all night drinking and listening to music like this!” her mother screeched. “Because they are good-for-nothing niggers who don’t care about making a better life for themselves. They want to stay up all night and carry on and pretend that just because they don’t have to pick cotton they have no more duties to attend to. We can’t do anything about good-for-nothing niggers who don’t want to take their place in America, but we can watch ourselves.””

John Henry Days

“His new friends did not, perhaps, realize the overpowering effect of the sudden change upon this northernbred man; the effects of the moonlight and the soft trade-wind, the life of love which surrounded him here. Love whispered to him vaguely, compellingly. It summoned him from the palm fronds, rustling dryly in the continuous breeze; love was telegraphed through the shy, bovine eyes of the brown girls in his estate-house village; love assailed him in the breath of the honey-like sweet grass, undulating all day and all night under the white moonlight of the Caribbees, pouring over him intoxicatingly through his opened jalousies as he lay, often sleepless, through long nights of spice and balm smells on his mahogany bedstead”

“The warm, pulsing breath of the sweet grass surged through the open windows in a fashion to turn the head of a stone image. It was exotic, too sweet, exaggerated, like everything else in this climate! Cornelis turned over again, seeking a cool place on the broad bed. Then he sat up in bed, impatiently throwing off the sheet. A thin streak of moonlight edged the bed below his feet. He slipped out of bed, walked over to a window. He leaned out, looking down at the acres of undulating grass. There seemed to be some strange, hypnotic rhythm to it, some vague magic, as it swayed in the night wind. The scent poured over him in great, pulsing breaths. He shut his eves and drew it in, abandoning his senses to its effect.("Sweet Grass")””

Jumbee and Other Uncanny Tales

“When we walk to church on Sunday morning down Broadway,” her mother said, cheeks red in her light brown skin, “you see the dirty men with their shirts all out their pants, drinking the devil’s liquor and stinking to high heaven when good people are going to church. Do you know what they’ve been doing all night?” “No, ma’am.” She did know, because now this discipline had wound its way down the hills away from the music and into a familiar body, and Jennifer was well acquainted with its currents and undertow. She knew all about the good-for-nothing niggers who passed bottles back and forth and were an eyesore. But it seemed best to feign ignorance. “Staying up all night drinking and listening to music like this!” her mother screeched. “Because they are good-for-nothing niggers who don’t care about making a better life for themselves. They want to stay up all night and carry on and pretend that just because they don’t have to pick cotton they have no more duties to attend to. We can’t do anything about good-for-nothing niggers who don’t want to take their place in America, but we can watch ourselves.””

John Henry Days

“His new friends did not, perhaps, realize the overpowering effect of the sudden change upon this northernbred man; the effects of the moonlight and the soft trade-wind, the life of love which surrounded him here. Love whispered to him vaguely, compellingly. It summoned him from the palm fronds, rustling dryly in the continuous breeze; love was telegraphed through the shy, bovine eyes of the brown girls in his estate-house village; love assailed him in the breath of the honey-like sweet grass, undulating all day and all night under the white moonlight of the Caribbees, pouring over him intoxicatingly through his opened jalousies as he lay, often sleepless, through long nights of spice and balm smells on his mahogany bedstead”

Books from the author

The Trap

1932

Henry S. Whitehead

The Trap

The ThinMatch

Henry S. Whitehead

The Thin Match

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