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Aubertine Woodward Moore

Aubertine Woodward Moore

Aubertine Woodward Moore, known by her pen name Auber Forestier, was an influential American musician, writer, and translator whose work bridged the worlds of literature and music. Residing in Madison, Wisconsin, from 1877, she became a prominent lecturer on Norwegian literature and music, sharing her passion through extensive recitals in major cities like Boston, Philadelphia, and New York City. Moore was also a co-founder of the Wisconsin Conservatory of Music, highlighting her commitment to music education and appreciation. Her literary contributions were significant, particularly in the realm of translation. Moore dedicated much of her career to translating works from French, German, and Scandinavian languages, often collaborating with notable figures such as Rasmus B. Anderson. Among her notable translations are the English versions of Bjørnstjerne Bjørnson's novels and Georg Brandes' "Authors of the Nineteenth Century." Her translations not only made these works accessible to English-speaking audiences but also enriched the cultural landscape of American literature in the late 19th and early 20th centuries. Moore's legacy lies in her role as a cultural ambassador, bringing the richness of Scandinavian and European literature and music to a broader audience.

Wikipedia

Aubertine Woodward Moore (pen name, Auber Forestier; September 27, 1841 – 1929) was an American musician, writer, musica...

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Famous Quotes

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“Music study is many-sided. To make it truly educative it must be pursued from both theoretical and practical standpoints.”

“It is not desirable that every one should perform acrobatic feats on some musical instrument, or indulge in vocal pyrotechnics, but it is desirable to extract music out of whatever technique may be attained.”

“To conquer music a musician must have conquered self. As music can no more be absolutely conquered than self, the effort to gain the mastery over both necessitates a continual healthy, earnest striving, which makes the individual grow in strength, grace and happiness.”

“Music study is many-sided. To make it truly educative it must be pursued from both theoretical and practical standpoints.”

“It is not desirable that every one should perform acrobatic feats on some musical instrument, or indulge in vocal pyrotechnics, but it is desirable to extract music out of whatever technique may be attained.”

“To conquer music a musician must have conquered self. As music can no more be absolutely conquered than self, the effort to gain the mastery over both necessitates a continual healthy, earnest striving, which makes the individual grow in strength, grace and happiness.”

Books from the author

For Every Music Lover: A Series of Practical Essays on Music

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