Varney the Vampire; Or, the Feast of Blood

Varney the Vampire; Or, the Feast of Blood
Long before Dracula crept through Victorian London's fog, there was Varney. Published in 1845 in penny weekly installments that sent shivers through working-class readers, this is the novel that birthed the English vampire mythos. When the Bannerworth family inherits a crumbling estate, daughter Flora becomes the target of a nocturnal terror she cannot explain: a figure at her window, pale hands grasping, thirsting for blood. What follows is a fever dream of Gothic spectacle as family and servants search the grounds for a culprit who leaves no trace, while the mysterious, tortured Varney himself wanders the boundaries between aristocratic melancholy and predatory horror. The novel's famous cliffhanger endings, each week promising another installment for a penny, made it a sensation that influenced every vampire story that followed. It is uneven, melodramatic, occasionally absurd, and absolutely essential.
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“although an American would always rather lose a drop of blood than a dollar, they keep a pretty sharp look out upon both.””
— Thomas Peckett Prest
“Could I desert her – could I say to her, ‘My dear girl, when you were full of health and beauty, I loved you, but now that sadness is at your heart I leave you?’ Could I tell her that, uncle, and yet call myself a man?” “No!””
— Thomas Peckett Prest
“But damne, I want to know about the mermaid.” “The vampyre, you mean, sir.” “Well, well, the vampyre.” “Then,””
— Thomas Peckett Prest
“My dear uncle, you will recollect that Miss Bannerworth is quite a young lady.” “I suppose she is.” “Well, then, for God’s sake, don’t attempt to kiss her.” “Not kiss her! damne, they like it. Not kiss her, because she’s a young lady! Damne, do you think I’d kiss a corporal of marines?” “No, uncle; but you know young ladies are very delicate.” “And ain’t I delicate – shiver my timbers, ain’t I delicate? Where is she?””
— Thomas Peckett Prest
“Bah!” “Really, uncle, if you say ‘Bah!’ to everything, I cannot go on.” “And what the deuce difference, sir, does it make to you, whether I say ‘Bah!’ or not?” “Well,””
— Thomas Peckett Prest
“must have a quid for my quo, as the parsons say.””
— Thomas Peckett Prest
“It is,” said Henry, “the portrait of Sir Runnagate Bannerworth, an ancestor of ours, who first, by his vices, gave the great blow to the family prosperity.””
— Thomas Peckett Prest
“How different was the funeral of one who had friends. He was alone; none followed, save the undertaker and his attendants, all of whom looked solemn from habit and professional motives. Even the jocose man was a supernaturally solemn as could be well imagined; indeed, nobody knew he was the same man.””
— Thomas Peckett Prest
“Tis strange what a change comes over masses of men as they gaze upon a dead body. It may be that they all know that to that complexion they must come at last. This may be the secret of the respect offered to the dead.””
— Thomas Peckett Prest
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Prest, Thomas Peckett. Varney the Vampire; Or, the Feast of Blood. Lex, lex-books.com/book/varney-the-vampire-or-the-feast-of-blood-e6bbe479-d0c4-4219-bd2c-2318f07d2308.Prest, T. P. (n.d.). Varney the Vampire; Or, the Feast of Blood. Lex. https://lex-books.com/book/varney-the-vampire-or-the-feast-of-blood-e6bbe479-d0c4-4219-bd2c-2318f07d2308Prest, Thomas Peckett. Varney the Vampire; Or, the Feast of Blood. Lex. https://lex-books.com/book/varney-the-vampire-or-the-feast-of-blood-e6bbe479-d0c4-4219-bd2c-2318f07d2308.









